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Being God can be Hell. Fans of Jim Carrey can't go wrong with this fun filled picture that's not without serious undertones as well. The Premise is flimsy as such, Carrey plays Nolan, a harried and fed up TV reporter who feels that all of his problems are God's fault. Having enough of his whingeing, God (Morgan Freeman) summons Nolan to his "residence" and bestows all his powers to him. This is where the film hits its stride, the makers letting Carrey loose for a number of funny sequences as he plays God to further his own ends. It goes where you expect it to, and nobody else gets a look in as Carrey does his stuff, but the journey is a most pleasant one. 7/10
**Bruce Almighty leverages Carrey's comedy strengths and a solid supporting cast to create a top-notch lighthearted comedy. ** Honestly, I had a traumatic experience from seeing The Mask way too young, and it left me terrified of Jim Carrey for quite a while. Even after I grew out of the Carreyphobia, I still wasn't a fan, but Bruce Almighty changed everything. The first time I saw it, it was against my will, but I am so glad I was forced to watch it because it's a wonderful movie! It has fun with Christian values and themes without bashing or harassing its source material. It's just a good-natured funny movie that sees Carrey's Bruce Nolan grow from kind but self-absorbed to considerate and caring of those around him and appreciating all that he already had in his life, especially his love interest played by Jennifer Anniston. Bruce Almighty also showcases a young Steve Carrell in his big breakout role as Carrey's rival, who faces the wrath of Carrey's God powers in a hilarious way. This film is by far my favorite Jim Carrey film and one of my favorite comedies.
Another one of my favorite movies of all time. Jim Carey is one of my favorite actors. This movie is so funny. Who doesn't want to play God. I know would love to give it a shot if it was possible.
As the Earth wrestles with its agonizing birth, the peoples of this barren and desolate world struggle to survive. Driven by animal instinct they compete against the harsh conditions, their giant predators, and warring tribes. When two people from opposing clans fall in love, existing conventions are shattered forever as each tribe struggles for supremacy and Man embarks on his tortuous voyage of civilization.
One Million B.C. is a 1940 American fantasy film produced by Hal Roach Studios and released by United Artists. It is also known by the titles Cave Man, Man and His Mate, and Tumak. The film stars Victor Mature as protagonist Tumak, a young cave man who strives to unite the uncivilized Rock Tribe and the peaceful Shell Tribe, Carole Landis as Loana, daughter of the Shell Tribe chief and Tumak's love interest, and Lon Chaney, Jr. as Tumak's stern father and leader of the Rock Tribe.
Master chef Kate Armstrong runs her life and her kitchen with intimidating intensity. However, a recipe for disaster may be in the works when she becomes the guardian of her young niece while crossing forks with the brash sous-chef who just joined her staff. Though romance blooms in the face of rivalry, Kate needs to look outside the kitchen to find true happiness.
Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
A man pursues a woman who is already engaged and eventually gets married to her. Differences between the two lead to a bitter separation that threatens to destroy their relationship forever.
Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.
Alex is a disgruntled waiter at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a rampage. Meanwhile, General Karprov and Spider plot to involve the inept anarchists into their plans to derail the prime-minister-to-be's campaign.
Antoine Sforza, a thirty-year-old young man, left his village ten years before in order to start a new life in the big city, but now that his father, a traveling grocer, is in hospital after a stroke, he more or less reluctantly accepts to come back to replace him in his daily rounds.
Because her husband, crime novel author Bert, prefers to spend the evenings with milieu and girl studies in the pubs, Conny files for divorce and moves with the two children from Berlin to Munich. There, she mistakes the new teacher of her daughter with the renovating carpenter, which is quite alright with the teacher as this gives him plenty of opportunity to enjoy Conny’s company. Meanwhile, however, Bert as well has started to understand how good it is to have a cosy home. He comes to Munich in order to win Conny back.
On their first vacation after having a baby, Mags and Ash attempt to rekindle the spark in their marriage but can’t help arguing the whole trip. When Mags meets Angela, they have an instant connection that makes Mags seriously question her sexuality for the first time. Suddenly Ash and Mags start to reconnect over the idea of having a threesome in hopes that the excitement of the potential sexual experience will save their marriage.
For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.