Bîranînen li ser Kevirî

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

Based on a true tragedy, the emotionally triggering film sheds light on the plight of Kashmiri Pandits (Hindus), a religious minority in the 1990s Kashmir valley, who were compelled to flee their homes by the Islamic militants.

Set between the two World Wars and based on true historical events, Bitter Harvest conveys the untold story of the Holodomor, the genocidal famine engineered by the tyrant Joseph Stalin. The film displays a powerful tale of love, honour, rebellion and survival at a time when Ukraine was forced to adjust to the horrifying territorial ambitions of the burgeoning Soviet Union.

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.

Summer of 1939. Zosia is a young Polish girl who is deeply in love with Ukrainian Petro. Their great love will be put to the test when her father decides to marry her to a wealthy widower Skiba. Right after wedding she is left alone because her husband is drafted to the Polish army for the war with Germany. Meanwhile, tensions grow due to Jews, Poles, and Ukrainians living side by side.

In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?

Jimeoin, in the title role, plays a man fixated on the concept of celebrity, or more accurately, how he can become one. He is passionate about being a celebrity, but unfortunately he just isn't very talented. After trying to secure roles in myriad productions he finally finds employment as an extra, and what follows is his misadventures as he becomes involved with shady business men, producers and mobsters all of whom are fixated with show business.

The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.