Bîranînen li ser Kevirî

Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

A mother mourns the loss of her family in the Srebrenica massacre.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

As a young couple struggle with the demands of life with a new baby, they plow forward on production for their latest self-funded independent feature film.

Accused of the genocide of Mayan people, retired general Enrique is trapped in his mansion by massive protests. Abandoned by his staff, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes.

In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?