Alma the Younger

Snooze buttons, sunlight…the inescapable cacophony of alarm alerts: waking up in the morning is a battle between the present and the future state of mind. A dream-like war with yourself and other objects that seem to take a life of its own.

Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.

A neighborhood bully convinces Porky to take a puff from his cigar, causing Porky to hallucinate a smoke-man named Nick O. Teen, along with a musical number done by cigars, cigarettes and pipes in the likeness of the 3 Stooges, etc.

A live action black-and-white prolog tells the story of how Walt Disney came to Hollywood with $300, was rejected by all the major studios, but went on to tremendous success, many awards, and a thriving studio. Titles then ask what this means to the Standard Oil Salesman, and a parade of Disney characters gives us the answer, featuring Mickey as drum major, Minnie carrying a banner, and the 7 Dwarfs carrying the letters "STANDARD" (Dopey gets stuck with the last two): Apparently the various ads for Standard will be featuring Disney characters in the coming year.

Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

Jerry is awakened from a nightmare by a knock on the door: someone has left a foundling in a walnut shell with a note, giving his name as Nibbles and saying he needs lots of milk. Fortunately, there's a dish handy, but it's next to Tom. Nibbles scurries out and dives off Tom's nose, then grabs a whisker for balance, waking Tom up. Jerry grabs him just in time and they hide under the milk. Tom laps up some milk and gets Nibbles; Jerry rescues him, and they run for the hole. Next, they try a very long straw; Tom catches them and sucks Nibbles through the straw. Much chasing follows, with a pause now and then for some milk. Tom traps Jerry in a milk bottle and chases Nibbles a while; he finally corners Nibbles and spanks him with a flyswatter. Jerry is so enraged he burst out of the milk bottle and lets out a ferocious roar; he grabs Tom by the tail and thoroughly pummels him, then stands over him as Tom feeds Nibbles milk.

Tom's advances on a young jive-talking girl cat get nowhere; nowhere, that is, until Tom gets a zoot suit. Armed with his miles of fabric and a new cool lingo, Tom still has to deal with the tricks of his nemesis, Jerry.

The Easter bunny brings an egg for Tom and Jerry that hatches into the little duckling. He keeps getting into water he shouldn't: the aquarium, water cooler, bathtub, sink, as the boys keep rescuing it. They try to give the duck back to the Easter bunny - no go. They leave it in the pond at the park and think they're home free, until the duckling brings his friends home.

Jerry is far from Tom's servant here. Tom, shipwrecked, washes up on a tropical island. His first attempts at food - a coconut and a turtle - are much too hard. But he spots Jerry just before Jerry sees him, and soon has him in the frying pan. Jerry escapes to a cannibal village; when he sees Tom's frightened reaction, he has his plan. Using soot from a pot, he blackens himself, then threatens Tom and starts cooking him. But Jerry's plan - and tail, and un-blackened bottom - is exposed when his grass skirt comes off during his war dance. Jerry helicopters away using the bone in his hair, and leading Tom right into the real cannibals. But Jerry's triumph is short-lived, as a pygmy cannibal comes after him.

One of Otto Messmer's most unusual Felix cartoons. It portrays Felix as an inebriated feline being chased by all kinds of demons only to be welcomed by the greatest demon of all, the angry wife.