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> In the dark hours where everything's so alive. Based on the manga series of the same name. A movie about a chef, foods and his small restaurant that opens at midnight till the dawn. There are random scenes with fresh characters all along, but it also centres on a set of few particular characters to stabilise the development. Whatsoever the tale sticks around the restaurant and reveals every happenings, no matter what characters they are. A very fun, realistic, calm narration, with cool characters. Anyone slurping their food around me really annoys, but that's the way of pleasurably consuming food among the east Asians, especially that makes me my mouth-watering. So I suggest you better have some snacks with, at least you will have something with you while watching this delicious movie. Initially I did not know whose story it was, but a chef began to narrate his story by telling about his tiny restaurant located somewhere in the middle of partially both residential and commercial areas. And his unique customers with their stories that definitely gets our attention. In the meantime a young female character was introduced who is going to be a prime focus for the rest of the film that told alternately with other small happenings around. > "Don't let your tears enter the stew pot. Tears is salt after all. It will change the taste." I'm not sure whether it was the great performances or the writing and direction that brought a soul to it, but overall it was so simple and very likeable film that looks like kind of everything worked so finely. Of course the cultural influence was a big impact. The society, its people with their state of mind and lifestyle - totally moving. Other than the whaling, I don't see the reasons to I hate this beautiful country and its people. I think that's why I loved this film like usual and it is one of my favourite film industry. Impressive, how the customers respect their chef by calling him master. I have seen the actor who played that important role in the movie 'Quill'. He was excellent in this with his casual effort. There's no way to predict anything from the movie. It would be like you go and sit in a small restaurant near you for a whole day, interacting with every customer who gets in with their story of the day with all kinds of moods, that's how watching this film feels like with surprises. Those who read the original manga and those who saw the television series might have reason to compare with this to bring some positive and negative points, but as I'm not familiar with other material, I ended with very happy for this. The runtime really scared me, but once sat for it, I spent those two hours without any trouble. This kind of storytelling really suits for television to split into plenty of episodes, but the movie was equally amazing and can be compared to any top movies related to 'food, chef and restaurant' themes. This was a great drama with fine humours. I want to suggest it and I surely do, especially for those who love drama films with a moderate pace. 8/10
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past - where he sees his parents before their deaths - to the present - where he witnesses his own autopsy - and then to the future, where he looks out for his sister from beyond the grave.
Marital infidelity, religion, a guy in heaven wearing a Wizards jersey, anal fetishes, cigarettes and schizophrenia, ghosts, and how it’s going to get worse before it gets better.
Hideo Suzuki is a 35-year-old mangaka assistant, whose life seem to be stuck around his exhausting but low-paying job, unfulfilled dreams, strange hallucinations and unsatisfying relationships. He sees himself as a supporting character in his own life, has low self-esteem, resulting in frustration. One day, the world as Hideo knows it is shattered by the presence of a disease that turns people into homicidal maniacs, whose first instinct is to attack and devour the nearest human.
Compilation film combining footage from various television anime episodes that center on the Akai family.
Soon after being named the new leader of his high school's gang system, Kujo grows bored with the violence and hatred that surround him. He wants desperately to abandon his post… but his once-enviable position of power has a strange way of making him feel powerless.
This is a continuation of Friends Games. Now the group of friends realises they have fallen into this game and they are in the second set of game, Kageguchi Sugoroku. Will Katagiri Yuichi find out who led them into this deceptive game between money and friends?
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.
Teru Aoki (青木 輝) is on a train to Tokyo after a school trip. A disaster occurs which partially destroys the train and blocks a tunnel. When Teru awakes, he finds all his classmates and teachers are dead.
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students.