Zug in die Freiheit

Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

In 1988, Tilda Swinton toured round the Berlin Wall on a bicycle - starting and ending at the Brandenburg Gate - accompanied by filmmaker Cynthia Beatt. As Swinton travels through fields and historic neighborhoods, past lakes and massive concrete apartment buildings, the Wall is a constant presence.

A documentary about the deconstruction of the Berlin Wall which makes no use of vocal commentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year's Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.

On 3 October 1990 DDR stopped existing as a state and became the Federal Republic of Germany. The past had been overturned. The new had not yet taken shape. The rejoicing over the fall of the Berlin wall. The bitterness and shame when the doors opened to cabinet of horrors at Stasi. Uncertainty and worry about the future. Everyone's battle against everyone for survival. In the form of a travelogue, freelancing journalist Rainer Hartleb depicts all the mixed feelings that flow from the country that no longer exists.

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.