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My late Mum used to have an LP by British artist Peter Skellern, melodiously singing some of the magnificent songs from the Astaire/Rogers musicals - and it has stayed with me ever since. This is probably my favourite - the dancing is delicate and stylish; the chemistry between Fred Astaire and Ginger Rogers is electric; and although the plot itself leaves a great deal to be desired; it's not about the story - it's about the people and Irving Berlin's wonderful suite of songs - "Isn't it a lovely day?"; "Top hat, White Tie & Tails"; "Cheek to Cheek". To be critical, for a moment, neither are really very good actors, or singers - but when pitched together they more than compensate with a generous dose of elegant chic! Eric Blore is also rather good as the really supercilious "Bates" - the kind of butler everyone ought to have, but nobody would actually want!
Bored with her mundane life, aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel. Danger, thrills and cosmic wonder ensues in this existential adventure presented entirely through the use of close-up photography.
Marie Antoinette is the Korean adaptation of the namesake Japanese musical. The story portrays the “life and love” of Marie Antoinette de Habsbourg-Lorraine, Queen of France. The musical kicked off on Charlotte Theater on July 13, 2021.
Diabulus in Opera is the fifth live album and fourth live DVD by the band Mägo de Oz, the concert was recorded on May 6, 2017 at the Arena Ciudad de México in collaboration with the Mexico Symphony Orchestra under the direction of the director of orchestra José Luis López Antón, originally the direction of the orchestra would be in charge of the soprano Pilar Jurado.
Bob, a regular guy who, after a blow to the head, suddenly can hear the inner songs of everyone’s heart as his reality is instantly turned into a musical, much to his dismay.
The tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. The magic of the Encanto has blessed every child in the family—every child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family's last hope.
In Rome's notorious gay club, the Alibi, men date, love and quarrel. Meanwhile, on stage, the classic drama of Salomé is played but with surprising variations, In the end, a clown goes out through the city's streets saying a monologue that explains it all, while satirizing the bourgeoisie.
The director turns the diary of his sexual adventures into a serial narrative in the style of “One Thousand and One Nights”. This polyamorously-minded queer musical applies the same playful approach to folk tales as it does to Egyptian pop music.
The life of Fanny Brice, who rose from the Lower East Side of New York to become one of Broadway's biggest stars under producer Florenz Ziegfield. While she was cheered onstage as a great comedian, offstage she faced a doomed relationship with the man she loved.
