War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Enakkul Oruvan is an avant-garde thriller that is not afraid to tease us with its fractured narrative, a heartfelt tribute to movies, a meditation on our lives and our dreams, and a traditional romantic film. And, if you are the kind of person who is into celebrity trivia, you will also find meta narrative here (a romance between two actors that starts off well and then sours) because the lead is played by Siddharth. This is quite evident in a press meet scene where his character has an outburst after he is grilled on his personal life. The story revolves around Vicky, an usher in a rundown single screen theatre, who pops a pill that he is told will put him to sleep and make his dreams feel real. Vicky begins to dream that he is a film star, Vignesh. Characters from Vicky's world also find a place in Vignesh's world. Divya, the pizza waitress he loves, becomes Divya, an upcoming model-actress with whom he gets into a relationship. His caring theatre owner Durai becomes Vignesh's trusted manager. Then, there is a loan shark and his men who become gangsters in the dream. The director visually differentiates the two worlds by showing us Vicky's life in colour and Vignesh's in black and white (it's a dream!). There is also a track involving Vignesh in coma and an investigation into his state, which centres around the mystery pill Lucia, which is what Vicky takes! And then, there is a twist in the tale that makes us reevaluate everything that we have seen till then and question what is real and what isn't. The film is a remake of Pawan Kumar's Kannada film Lucia, a mindtrip of a movie. This film doesn't quite capture that film's ambitiousness and visual pizzazz but still makes for a solid effort, especially for a debut film. The track involving the cops was better integrated into the plot in the original and the performances, especially of the supporting characters, lack the effortlessness of those in the original. You only have to look at John Vijay, who goes over-the-top even by his standards, to realize what is missing here. Siddharth as the usher Vicky takes some time to get used, especially because he is a good-looker and his effort to go de-glam (with a painted face) makes it somewhat of a studied performance. But the unassuming personality of the character is hard to ignore. In contrast, he comes off better as Vicky, the film star, where smugness is an asset, though the scene in which he opens up during an interview is moving. Still, Sathish Ninasam, in the Kannada film, was more believable, and we keep wondering what someone like Dhanush would have done with this role. Deepa Sannidhi (who looks like Samantha in certain angles and only reinforces the meta angle) has girl-next-door looks that both her characters demand but the costumes are too Gautham Menon-chic for a middleclass girl who works as a waitress at a pizza outlet. Santhosh Narayanan's affecting score and the uncanny sound design (by Vishnu Govind and Sree Sankar) make up for the lack of energy in some of the scenes. This is true especially for the scenes in the first half, which feel aseptic and do not seem to breathe life. It is as if the director and editor had what they needed but couldn't find the correct beat. But, in the second half, the film settles down and grows a heart that starts beating faster and faster as the film progresses towards the climax, and when it ends, it envelopes us with warmth that is genuine and well-earned.
Peder runs into his ex-girlfriend Hanna one day. They're happily married with new partners but although many years has passed Peder and Hanna are still attracted to each other. However, they don't want to jeopardize their marriages or cheat. One day they come across an antique book about dreams. With the help of the book, they manage to enter a dream world where they can live together in a life where anything is possible, while living their normal lives during the day. But soon enough it becomes hard to separate the dream world from reality.
Gary, a musician, is trapped in an unhappy relationship with his live-in lover, Dora. He becomes enthralled with a beautiful seductress who enters his dreams, and tries to control his dream-state so he can spend more and more time with her. When Gary sees his mystery woman's face on a bus billboard, he discovers she is real, and fate brings him an opportunity to meet her.
A man struggling to come to terms with the sudden death of his girlfriend in an accident six months prior signs up for a sleep trial that allows him to reconstruct his life with her through the use of lucid dreams.
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.
Unfulfilled by his day-to-day life, an 18-year-old homebody copes with social anxiety by living the life of his dreams, in his dreams.
As the nights go by, a young filmmaker uses his video camera to express his thoughts, dreams, and inner turmoil to an online friend.
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.