¡Baile mi rey!

Two distant cousins meet at a wedding banquet for an elderly couple. Over time, a close friendship develops between them, but their spouses begin to think that they are more than just friends.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

The dancing teacher Anastasia falls in love with the smart theatre agent Jud. He likes her, too, but does not want to give up his solo life at all. Thus she plans a trap for him...

An aspiring dancer moves to New York City and becomes caught up in a whirlwind of flighty fair-weather friends, diminishing fortunes and career setbacks.

As a soccer star back in the day, Eugenio used to be known as “The Gazelle” for his speed and dexterity in the field. He retired young, unable to score a trophy. Now 72 and living in a retirement home, Eugenio is determined to win a dance contest with the help of his partner Carmen and his openly gay instructor Daniel.

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

Max Washington has just been released from prison after serving time for burglary. He returns to his old hangout, a hoofer club. His old girl friend, Amy, who still works at the club as a Tap instructor, is less than thrilled to see him. Her father, Little Mo, is happy to see him, because he has plans for a show involving Max. In addition, Max's old partners in crime have another job for him.