Tintenfischalarm

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.

A movie about intersexuality

In these interviews, Dennis McKenna, Alex Grey, Rick Strassman, and other champions of psychedelics share their views on the value of psychedelic medicine, and its neglect in Western society.

The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Two friends, two Viennese, two poets, two unusual women. They have known each other for 30 years. Elfriede Jelinek is the better known of the two, the great author with her analytical mind and her social commitment against the whole "politician's docks." The now deceased lyricist Elfriede Gerstl remains rather tender with her poetry, although her poems do not miss a certain amount of sharpness, albeit ironically packed. When the two Elfrieden sit in their Viennese coffee house and drink the little brown, they usually talk about clothes, they talk about the fashion that Elfriede Gerstl has just collected again.

Maude is 17 years old. At birth, she shows signs that make it impossible to identify her gender. The doctors decide she's a girl. Today, she's preparing for a surgical procedure that will transform her into a young man named Justin.