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An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.
An illiterate and lonely man bonds with an older and well-read woman.
A teenage boy and his mother are on the run. The father is violent and has a history of beating up his wife. They manage to get away from him and drive far away, until they arrive in a small town where they settle down. They rent a house from a nice man and soon they forget everything that has happened in the past, until the boy begins to have bad dreams of his father.
Special Agent Kanen must follow the target of his latest case - but what happens when the target has connections to his mysterious past?
The owner of a failing circus has to cope with the return of her son after he is released from the psychiatric hospital with complete loss of memory.
Growing up in a small rural farm town in the early 1950's, sixteen- year-old Jimmy Hoffer, and his two siblings do their best to survive poverty and a crumbling family unit.
A brother and sister discuss domestic violence that has occurred by looking back at family photo albums.
A 10 year old girl escapes the grim reality of her situation by creating a world where all of her hopes and dreams come true.
A troubled young man struggles with a skin affliction and recurring nightmares of a monstrous figure. As his condition worsens, he grapples with his past, fearing he's becoming the very monster he dreads.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
