I Don't Know

The story revolves around a woman, who stays in a large mansion with her husband. She develops an obsession for her ornaments and refrains giving them to her husband as they face financial crisis. Preserved by the Academy Film Archive in partnership with Arsenal - Institut für Film und Videokunst e.V. in 2007.

In a juvenile delinquent center two girls find comfort in love for each other. Once one of them gets released, they don't know how to deal with this and both seek for a solution, with tragic consequences - A contemporary love story based on the motives of Shakespeare's Romeo and Juliet.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.

Berlin 1808. A young, immature student who considers himself a poet, August Varnhagen, enters the famous salon of Rahel Levin, one of the first assimilated Jewish women of the Romantic period. He has heard of this woman who was praised by all for her wit and wisdom and he comes because he seeks connection and relations and in this salon the most famous men of the time crowded.

A collage of film archives that gives an account of the artistic and territorial militancy of a group of transvestite militants during the years prior to the enactment of the gender law in the Argentine Republic.

In a society where the greatest concern is the size and power of one’s wings, nihilist Ciobeck tries to protect Moann. But how can one survive in a barren land populated by imprisoned-mind people?

Held captive by a circus, Malu is frantically rescued from her shackles by her husband. As she waits anxiously in the darkness for her chance to escape, a disturbing truth she's hidden away seeps back in.

In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), legendary American folklore figure John Henry (voice of Rex Ingram) goes to work for the C&O Railroad, which shortly thereafter buys an automatic steel-driving engine, The Inky-Poo. John Henry matches his strength against the engine, saying that any man can beat a machine because a man has a mind. Can he prevail? In 2015 this film, deemed "culturally, historically, or aesthetically significant", was selected for preservation in the United States National Film Registry. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

Newly employed in an emergency shelter for people experiencing homelessness, Geneviève is shaken to meet a young woman there whom she believed to have succeeded in reintegrating when she was her social worker.