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> It is not perfect, but delicious. Movies about foods and chefs are quite popular since the beginning of the cinema. Not only among the food lovers, but the movie fans, critics as well common people decides to book a table at a nearby best restaurant after watching a delicious film like this. At least one movie in every year makes us to talk about the foods for that entire week. Like the Jon Favreau's last year's 'Chef', this is 2015's. On this theme, movies are always quite similar, except subplots like family, friends and sometimes foods from the different part of the earth as well. This film was not that brilliant when it comes to innovation in the story. The same old chef who comes back strongly after losing everything to get a another star. So what makes this special is that the actors, everyone was awesome. Even in smaller parts, especially the lead one Bradley Cooper makes all the difference. There was a twist, but it does not make us say wow. Definitely it was a bit fun, filled with some dark humours. The slow, dull storytelling was almost like a soulless product, but anyway, kind of it worked well due to the style of film setting that created to narrate it. Feels like in the many scenes, characters were intensely dragged in like the cameos, otherwise it would have been very plain. Overall, it's not a best food/chef movie I've ever seen, but very much watchable and enjoyable. 7/10
**Overall : Too many moments left a bad taste in my mouth to enjoy Burnt as much as I wanted to.** The beginning of Burnt reminds me of the beginning of a heist movie. Bradley Cooper assembles a team made up of the best of the best to achieve the ever elusive 3 Michelin Star restaurant. The early scenes' energy and promise filled me with excitement, but unfortunately, the sheer arrogance and unlikeability of Cooper's Adam Jones drained the film of most of its charm and ability to enjoy it fully. I didn't find myself wanting Adam Jones to prevail. Thankfully, there is some character growth and development, but the road to get there was much more unpleasant for the audience than necessary.
A recently released patient from a mental institution returns home with her sister, only to face disturbing events between her stepmother and the ghosts haunting their house; all of which are connected to a dark past in the family's history.
A law firm brings in its "fixer" to remedy the situation after a lawyer has a breakdown while representing a chemical company that he knows is guilty in a multi-billion dollar class action suit.
Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.
The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
Unemotional, restrained cinematographic poem, situated in a wintry and poor suburb of Tehran. A man is dismissed and his lack of prospects for the future make him decide to seek his happiness abroad. He leaves his wife and child behind and for a long time nothing is heard of him. Then a stranger turns up, a car mechanic looking for a job. The attractive single mother can’t resist his attentions. Very subtly, a struggle ensues that reflects that of a whole generation of young doubting Iranians who may want to leave the country, but hardly know how to start.
Set in 1977, back when sex was safe, pleasure was a business and business was booming, idealistic porn producer Jack Horner aspires to elevate his craft to an art form. Horner discovers Eddie Adams, a hot young talent working as a busboy in a nightclub, and welcomes him into the extended family of movie-makers, misfits and hangers-on that are always around. Adams' rise from nobody to a celebrity adult entertainer is meteoric, and soon the whole world seems to know his porn alter ego, "Dirk Diggler". Now, when disco and drugs are in vogue, fashion is in flux and the party never seems to stop, Adams' dreams of turning sex into stardom are about to collide with cold, hard reality.
Jor and Gerda is a loving couple that lives together in Copenhagen. Jor is trying to make a breakthrough as a writer, without any luck so far. His struggles have caused Gerda to provide for them by selling sexual favors on the street.
In southern France, a Franco-Arabic shipyard worker along with his partner's daughter pursues his dream of opening a restaurant.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.