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In view of my failure - correction, comparative failure. Inspector Cockrill (a brilliant Alastair Sim) investigates a weird double murder that has taken place in a British WWII emergency hospital. Sadly this seems to be a largely overlooked British film, brought to us from the excellent Gilliat & Launder teaming, Green For Danger is as good a British mystery that was ever made. Boasting the acting talents of Alastair Sim, Trevor Howard, Sally Gray, Leo Genn and Rosamund John, this adaptation of the Christianna Brand novel feels like an Agatha Christie staple. Twisty and deep with whodunit shenanigans, it plays out to its finale with a seamless sense of joy. Everyone involved appears to be enjoying themselves and this only heightens the warmth that oozes out from the screen. The scripting is simple and light, and the direction as tight as one could hope for. Hugely enjoyable piece that puts the Great into Great Britain. 9/10
Alastair Sim is perfect in the role of the ostensibly bumbling "Insp. Cockrill" who arrives at a rural hospital to investigate the suspicious deaths of two of the patients. When he arrives, he encounters a staff including Trevor Howard, Leo Genn, Sally Gray, Judy Campbell & Megs Jenkins who all appear to be quite capable of being responsible - if, indeed, anyone is actually responsible - for the crimes. With V2 rockets landing all around, the race is on to prevent further killings amongst this mistrusting group of clinicians - and Christianna Brand's hero must sort it out, and pronto! The cast work really well together - even Trevor Howard who does take a while to settle in. Leo Genn is always good value, as is Jenkins and they all help to keep us guessing for much of this cracking little murder mystery. As in the best Agatha Christie tradition, the ending is a bit left field, and almost irrelevant, but that doesn't really matter; it's the performances and detection process that make this film stand out - and stand out it does.
A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.
A classic noir murder mystery based on the same name detective book by Bogomil Raynov
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson, take on the violent Nick.
Warren Quimby manages a drugstore while trying to keep his volatile wife, Claire, happy. However, when Claire leaves him for a liquor store salesman, Warren can no longer bear it. He decides to assume a new identity in order to murder his wife's lover without leaving a trace. Along the way, his plans are complicated by an attractive neighbor, as well as a shocking discovery that opens up a new world of doubts and accusations.
Jenny Marsh, recently released from prison for killing a man, finds herself under the watchful eye of her parole officer, Griff Marat, who helps her secure a job caring for his ailing mother.
In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.
