In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
Moana 2 2024 - Movies (Mar 7th)
Ghost Cat Anzu 2024 - Movies (Mar 7th)
The Silent Planet 2024 - Movies (Mar 7th)
Tuesday 2024 - Movies (Mar 7th)
Plankton The Movie 2025 - Movies (Mar 7th)
CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
The Little Mermaid 2024 - Movies (Mar 7th)
Bloat 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
Know Where to Hide - Wie niet weg is… - (Mar 8th)
SAKAMOTO DAYS - (Mar 8th)
Taskmaster - (Mar 8th)
The Weakest Link - (Mar 8th)
Around the World in First Class - (Mar 8th)
Britains Got Talent - (Mar 8th)
Alex Witt Reports - (Mar 8th)
Mafia- Most Wanted - (Mar 8th)
Would I Lie to You - (Mar 8th)
Crimewatch Live - (Mar 8th)
Rogue Claimers - (Mar 8th)
Solo Leveling - (Mar 8th)
Ancient Aliens - (Mar 8th)
The Chase - (Mar 8th)
The Fifth Estate - (Mar 8th)
The Young and the Restless - (Mar 8th)
Lets Make a Deal - (Mar 8th)
The Skinny Jab Revolution - (Mar 8th)
The Bold and the Beautiful - (Mar 8th)
The Price Is Right - (Mar 8th)
As if the title doesn't already give it away, but this is a terrible film. What a mess. 'Nativity 3: Dude, Where’s My Donkey?!' is like two different films in one, with the first half being overly comedic and the second portion being overly dramatic - it doesn't mesh well at all. The drama towards the end could work on its own, but in this setting it simply doesn't fit - it actually comes across that they think they're creating a masterpiece as it all unfolds. Very odd choice to go that way. Marc Wootton is fairly toned-down in this second sequel, which leaves it feeling flat throughout. Martin Clunes is a new addition, they pretty much make his character a mute so Clunes doesn't even get to show off his acting prowess. The roles, meanwhile, for Catherine Tate and Adam Garcia are kinda pointless. The musical numbers are very lame, especially lyrically. I'm not suggesting they are great in any of the films, but these ones particularly stood out as being poor. The end performance is painful. What a fall from the first film, and even the second. Yet, there is still a fourth installment to watch...
Monsieur Bosquier, the owner of a private school, is far from pleased when his eldest son, Philippe, fails his end of year exams. He decides to send his wayward offspring to England to improve his English. In exchange, Philippe’s host, a wealthy whisky distiller, Mac Farrel, will send his daughter, Shirley, to live with the Bosquiers in France. However, Philippe has already decided to spend the summer holidays on a yacht with his friends, so he sends a fellow student, Michonnet, to England in his place. The deception is soon discovered but things go from bad to worse when Philippe and Shirley fall in love and fly to Scotland to get married...
Teenage best friends Mila, Hanna and Kati play matchmaker to their teachers while helping each other through their own budding romances.
Rogers plays a small town banker in the 1890s whose chief rival is the deacon (Middleton) with whom he has traded horse flesh. Taylor is a bank teller who places a winning $4,500 bet on a 10-1 harness racing horse, making him Rogers' bank partner.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.
The action of the story takes place around the Christmas time, when, as usually, the most unbelievable miracles come to life. The story starts with Masha - future doctor and meanwhile an eager student of medical university, her best friend Lilka - a colorful and charismatic young lady who is always in search of man of her life, and Masha's grandfather, Andrei Ivanovich, who is her only relative - a kind but deeply sad amateur painter. The heroes live their ordinary lifes with their worries and laughs until at Christmas Eve they receive a phone call... Three Aunties, who named them self as distant relatives, announce their arrival within an hour. With their arrival the story becomes dashing and somehow magical.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
Two families that hated each other for years are forced to spend Christmas together.
Demet and Okan, a married couple, find that the spark in their relationship has disappeared. But life gives them another chance when Okan buys a lottery ticket and happens to win the lottery.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.