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The three films that Ingmar Bergman produced at the close of the 1950s – Det sjunde inseglet, Smultronstället and Jungfrukällen – tower so high in his output that one might forget that these were not his only productions of the era. Ansiktet ("The Face", released in English-speaking markets as The Magician) from 1958 is one of his lesser-known films. In mid-19th century Sweden the magician Albert Emanuel Vogler (Max van Sydow) goes from town to town promising people cures for their ailments and performing magic tricks, including what was the sensation of the time, hypnosis. He is joined by his tout (Aake Fridell), his "ward" Mr. Aman (Ingrid Thulin) and his "grandmother" and the troupe's maker of patent medicine (Naima Wifstrand). After fleeing the law after a performance in one town, they pass through the forest and enter another community. Here they are detained by the authorities, so that the physician Vergerus (Gunnar Bjornstrand), the consul Egerman (Erland Josephson) can decide a wager on whether Vogler's tricks are real spiritual powers or scientifically explainable illusions. While Ansiktet should not be overlooked for fans of Bergman, I think it is fair that the film is not ranked among Bergman's greatest achievements. Characterization is pretty slim – we get no idea of why Vogler and his companion chose this life, and Vergerus is so shallow that Gunnar Bjornstrand seems wasted. And had the film ended three minutes earlier it would have been one of Bergman's more powerful conclusions, but instead we get a completely unexpected happy ending that just seems lame. Much of the middle part of the film depends on sex jokes that are funny at times, but I suspect anyone who knows Bergman's great output will continuously be thinking that he's capable of so much more than this. Still, Ansiktet does have a generally thought-provoking dramatic arc, and some moments will prove memorable. I especially admired the battle between Vergerus and Vogler and the magician's breakdown (funny how his temperment appropriately changes with his clothes in this scene).
I thought there was something of the slightly menacing John Carradine in Max Von Sydow's performance here, as the eponymous purveyor of bafflement. His troupe arrive in a forewarned small Swedish town that is full of scepticism about the wares and skills of the "Vogler" enterprise. MVS is the master magician, with his wife "Wanda" (Ingrid Thuler), his anti-wart tonic mixing aunt/grandmother (the scene-stealing Naira Wifstrand) and the enigmatic "Tubal" (Åke Fridell) all pulling their weight in this family business. The local police commissioner (Toivo Paulo) is deeply suspicious and demands that before they try out their "gifts" on the more gullible wider population, they demonstrate to a triumvirate of himself, local bigwig "Egerman" (Erland Jospehson) and the downright hostile health minister "Vergerus" (Gunnar Björnstrand). Now try as they might, these detractors just cannot disprove what they are seeing. Can this be real or is the "Vogler" science just too clever for them? What now ensues sees a sophisticated and frequently quite amusing series of battles of wits emerge. Not just between the accusers and the visitors, but soon we see a fracturing dynamic amongst the family itself as cracks begin to emerge and eyes (and hands) start to wander. It's the clever denouement that still holds up well and allows this enjoyably under-scripted poke at science and horror to conclude in an almost workmanlike manner. As ever with Bergman, it's also about the photography - and some of the intensity here, especially around the frequently rather sexually ambiguous wife, focusses on the eyes. Always the eyes. That really works well to build and sustain the growing hint of mystery and intrigue. Even we are not entirely sure what's going on and surely we would be wise to what must be their fraud? Good stuff!
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they're witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?
Kiichi Nakajima, an elderly foundry owner, is convinced that Japan will be affected by an imminent nuclear war, and resolves to move his family to safety in Brazil. His family decides to have him ruled incompetent and Dr. Harada, a Domestic Court counselor, attempts to arbitrate.
In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.
Six thousand years before Sora and Shiro were even a blink in the history of Disboard, war consumed the land, tearing apart the heavens, destroying stars, and even threatening to wipe out the human race. Amid the chaos and destruction, a young man named Riku leads humanity toward the tomorrow his heart believes in. One day, in the ruins of an Elf city, he meets Schwi, a female exiled "Ex Machina" android who asks him to teach her what it means to have a human heart.
An American boy turns out to be the heir of a wealthy British earl. He is sent to live with the irritable and unsentimental aristocrat, his grandfather.
A woman and her son enlist a motley crew of so-called spiritual experts to help rid their home of supernatural squatters.
A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.
An otherworldly evil is slipping into a small town in Sweden. Six unrelated girls have been chosen to fight this evil. Together they must overcome their differences in order to save themselves and the world.