True As Steel

Jaffery Chayne is the spectacular one of four chums, the others being Hilary Freeth, a literary man, Adrian Boldero, a short story writer, and Tom Castleton, a playwright. The story opens with Tom Castleton going on a voyage for his health and leaving with his friend, Adrian, the manuscript of the first novel he ever attempted. Shortly after Castleton's trip, he dies at sea and when word is received by Adrian of his friend's death, the temptation to secure the girl he loves by publishing his friend's novel and taking the money and credit from it is so strong that he succumbs and becomes the "literary lion of the hour."

Three bachelor buddies, David Clark (Jack Conway), Dick Porter (Richard LeReno), and Jerry Mathers (George Webb) adopt three Belgian children who have been orphaned by the war. David winds up with Rene Lescere (Ella Hall), who - much to his dismay - comes with a pet goat and chicken. But Rene comes to love her foster father and vice versa. In fact, she's determined to find him a wife who will also serve as a foster mom for her.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

A father-and-son team of cons gamble their firm’s assets. The son is caught investing money that doesn't belong to him and is indicted on a swindling charge. The plot gets spicy when the District Attorney handling the case is his former sweetheart's husband. This situation gives the DA an opportunity to prosecute his romantic rival.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.

Brewster, the bean king, has an option of renewal on a certain bean canning plant owned by Ellis. Ellis does not want to renew so hires shyster lawyer Wingate to help him. Brewster sends Betty to renew the contract but Ellis declines. Later Brewster sends his lawyer along with Ellis' man to persuades her that he isn't crooked. There follows plot and counter-plot, but innocent Betty carries the day.

Dorothy Phillips was starred as Elinor Crawford, a small-town girl who becomes a reporter on a big-city newspaper - and immediately plunges into the "Bohemian" lifestyle. Assigned to interview a condemned murderer, Elinor must first obtain permission from criminal lawyer Evan Klavert (William Stowell), who happens to hail from Elinor's hometown and who prudishly disapproves of her current mode of living.

In his will, Mr. Baird leaves his son Arnold just one seven-passenger auto and a hundred dollars to keep it filled up and in good repair. When James Bennett hears of this, he insists that Baird do something to make his fortune before he can marry his daughter Ruth. Bennett begins by using the car to start a jitney-bus line. This is not terribly impressive to Bennett - who owns a trolley company - and he decides he would rather see Ruth married to his controller, William Mott-Smith.