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Racing Mister Fahrenheit 2024 - Movies (Mar 14th)
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Diners, Drive-Ins and Dives - (Mar 15th)
All In with Chris Hayes - (Mar 15th)
Harpoon Hunters - (Mar 15th)
Fire Country - (Mar 15th)
The Beat with Ari Melber - (Mar 15th)
Gold Rush - (Mar 15th)
Cops - (Mar 15th)
Tyler Perrys Sistas - (Mar 15th)
Landscape Artist of the Year - (Mar 14th)
Chris Jansing Reports - (Mar 14th)
Katy Tur Reports - (Mar 14th)
Deadline- White House - (Mar 14th)
S.W.A.T. - (Mar 14th)
The Young and the Restless - (Mar 14th)
Around the World in First Class - (Mar 14th)
Unreported World - (Mar 14th)
The Last Leg - (Mar 14th)
The Price Is Right - (Mar 14th)
Gogglebox - (Mar 14th)
Come Dine With Me- South Africa - (Mar 14th)
There are segments in this all access biopic that do indeed try to show sides of this most famous of celebrities we may not have seen before. The tapes he recorded with his children, interviews with his longtime inner circle. And it is understandable that it comes off ultimately seeming like a production from the Public Relations arm of Muhammad Ali Inc. at worst it comes off as one more forum to reflect that he was the greatest boxer, most famous celebrity, world’s best father, friend, social activist, and so on. Greatest boxer and most famous person, yeah, could be. The rest, not so much. What stood out in stark contrast to me to the 1 hour and 45 minutes of various forms of praise and good deeds, were the very few minutes showing him apologizing and regretting calling Joe Frazier a gorilla, Uncle Tom, and so on. This was Frazier, who helped Ali early on, both financially and with his efforts to regain his boxing license. Yes, it is nice that he apologized much later, but for most of us, we would have known not to say those things at all merely to build interest in a fight or get inside your opponent’s heads. Not saying those things about a friend and colleague would have been as natural as, say, a great boxer flicking out a left jab.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.
The Legacy Project tells the fate of the World War II heavy cruiser USS Indianapolis using exclusively first-person accounts. The last crew and their families share gripping stories of kamikaze attacks, invasions, a secret mission, and ultimately a devastating torpedo attack that killed three fourths of the crew. The survivors recall the 5 days they spent floating alone in the Pacific Ocean, their miraculous rescue, and how they fought together to clear their captain's name. Start to finish, this feature-length film flows from survivor to survivor as they finish each other's sentences. Set to a completely original score, the incredible story unfolds while rare WWII footage, a collection of previously unpublished photographs, open-ocean reenactments, and new footage from one of the last WWII era heavy cruisers in existence.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.
Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
In 1973, at age 39, Brigitte Bardot decides to stop her acting career at the height of her fame to dedicate herself to Animal welfare and protection. Her rebellious nature finds in this cause a genuine expression of who she really is. This intimate portrait including exclusive interviews provides a unique account of her journey as a movie icon turning into a radical advocate for wildlife protection ahead of her time.
In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.