The Profligate Door: Borowczyk's Sound Sculptures

During a hospital stay in 2001, the Polish painter, sculptor and filmmaker Walerian Borowczyk compiled a handwritten list of the objects and animals that were featured in his films. While he had used both encyclopedias and dictionaries to order chaos in his own films, this list saw Borowczyk putting his own life in order.

film about the desire of listening. An intermingling of voices from childhood, dreams, history, sex and politics. A visual essay about the universe of sounds. What is sound? What is the sound experience? Sound placed and replaced as Energy. Nothing more should be said. The final conclusion, while the spectator flies over an infinite sea, talks about spreading fragility open. That is the Sound.

Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.

This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.

A documentary about Borowczyk's 'Goto, Isle of Love' and its creation, featuring key cast and crew members.

A documentary about Walerian Borowczyk's short films and animation, featuring his collaborators from that time.

A visual essay about Walerian Borowczyk's works on paper.

A documentary about the making of Walerian Borowczyk's 'Blanche'.

This short traces the history of sound in the movies, beginning with French scientist Leon Scott's experiments in 1857. Featured are snippets from early sound pictures.

In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.

An unusual documentary exploring sound. Unique elements of Japanese culture are revealed through ancient rituals and extraordinary musical spectacles. A young Buddhist priest whose family has been serving a temple for the past 500 years is also a DJ and beat-boxer. A drum teacher takes part in a costume performance of a 700-year-old ghost story. A female performer plays the Sho, a rare bamboo instrument that is believed to imitate the call of the mythical phoenix. The core ideas explaining the magical potential of sound that permeates all parts of the film are presented in the tradition of Shingon Buddhism. These beliefs are explored through following Buddhist chanting lessons for student priests at Shuchiin University in Kyoto.