Белые, белые аисты

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

Searching for stability and justice, Timur "The Lame" becomes a world conqueror in order to unify all people, nations, and tribes under one banner.

In Women’s Paradise, a college professor and writer is separated from his wife after committing adultery and discovers a women’s paradise where his lover, a female student, and his wife are living happily together. Could this truly be paradise or just the projection of a male fantasy?

Orazbaz, who lives in Uzbek, longs to leave his tiny fishing village. He becomes a stowaway on a ship thinking that he will end up in Manhattan. Instead he ends up in Rotterdam and is taken in by a lonely woman, but he is eventually betrayed by her jealous husband.

Biographical drama about one of the most famous Uzbek poets of the 15th century, Alisher Navoiy.

A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.

Uzbek drama.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left - the seventh, and he must not miss his target!

This is a story about modern youth, about how young people enters the great beautiful world of complex human relations, how, when faced with different people and phenomena, boys and girls are convinced that good and bright are affirmed in life.

Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.

A 38-year-old single man, Hong Man-Taek is a petty farmer still living with his mother. Seeing a neighbor married to an Uzbekistan bride and frightened by the fact that his own grandson will never get married, Man-Taek's grandfather decides to send Man-tek to Uzbekistan to find a bride.