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Despite some stumbles with the script, 'Richard Jewell' is a well-acted and admirably low-key piece from Eastwood that raises a lot of questions. At the risk of sounding ageist, most 89-year-olds are lucky to have one good bowel movement left in them, let alone films this interesting. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-richard-jewell-man-versus-media
Since I couldn't have told you when the Olympics were in Atlanta, I found it worth watching. Whether there's much to the story beyond the depiction of events is an entirely different conversation.
Before talking about the movie, it can be said that "Richard Jewell" is one of those movies that proves that art does not know age. Ninety-year-old Clint Eastwood is still alive in the cinema and can make good films. The most important strength of the movie is its strong characterization, so that in the very first few scenes, we get a good definition and knowledge of the main character, in a way that from the very beginning, Richard finds his place in our hearts. And we want everything that is good for him until the end of the film. This innocence of Jewell, which turns into oppression throughout the film, keeps us by his side until the end of the movie and does not allow the viewer to be indifferent to Jewell and his fate. The camera also plays an important role in completing this characterization and the viewer 's closeness to Jewell's character, from the very opening scenes that represent him, the middle of the film which is the culmination of events for him and his mother and the end of the film which is a good ending. This strong characterization has also been performed for Jewell's mother, who is also far from exaggerated and can be fully understood and believed. This point, however, is a bit weak for the lawyer, so that the reason for his acceptance of the case is a bit weak, but with the progress of the film, his efforts are somewhat acceptable, although this point still has no effect on the emotional depth of the film. The script, which is the most fundamental cinematic element of any movie, plays a very important role here as well, and this characterization comes out of it.This coherence and quality of the script makes Richard's ideals of believing in the law and the police credible And it does not let his honorable sentences in the last interrogation seem like slogans at all. In the meantime, the good acting of "Paul Walter Hauser", "Sam Rockwell" and of course "Kathy Bates" cannot be easily overlooked. Kitty's character is also somewhat good, but her sudden and emotional change at the end of the movie is not very believable. Eastwood has done well in instilling a hatred of the media in the viewer which is sometimes even more dangerous than the law and its injustice, but one downside to the film is that the federal police investigation process is somewhat vague and it is not clear exactly how and with what evidence they can advance the case so much, but this movie is enough good that these negative points do not have much effect on its quality. The final sequence of the interrogation is also a good sequence, because we see the release of real Jewell's thoughts and ideals, not slogans, through words that are still uttered innocently, like himself, and according to the characterization and script, it is not a cliché at all. Also, it should be noted that the camera works well in the same sequence and the mise en scène is also acceptable. In general, "Richard Jewell" is a good film that entertains and satisfies the audience as much as it can.
This is an excellent film from Clint Eastwood! Firstly, what a terrific performance from Paul Walter Hauser! He plays lead perfectly, as he makes it impossible not to root for the titular character - which is admittedly a given due to the plot, but Hauser adds an extra level of believability to proceedings. I felt every intended emotion. Sam Rockwell does very good behind Hauser, as do Kathy Bates and Olivia Wilde. Jon Hamm is good, too, as he returns to an Eastwood flick, having made his film debut in the latter's 'Space Cowboys' nineteen years prior. Portraying a messed up true event, 'Richard Jewell' is a film that I'd most definitely suggest you check out. 9/10 from me.
I was working in Atlanta for a broadcaster the night of the Atlanta bombing at the Olympics so remember quite a lot of the immediate aftermath and the enormous speculation into what had actually happened and of the expectations put on law enforcement to convince not just the USA but the rest of the world that the Games were safe. This film is an authentic take on these days with a strong performance from Paul Walter Hauser as the security guard who found the bomb only to be later accused of having planted it in the first place. Sam Rockwell is great as the attorney determined not to cave in to the pressure and ensure his client gets a fair hearing as the authorities appear determined to scapegoat him. Kathy Bates plays his mum strongly, too. It's far too long, though - and at times it sags in the middle - it is virtually impossible to sustain the level of intense dialogue. It's a good film, but not a great film.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
A small-time Belfast thief, Gerry Conlon, is wrongly convicted of an IRA bombing in London, along with his father and friends, and spends 15 years in prison fighting to prove his innocence.
The true story of Helen Keller and Annie Sullivan, a gripping battle to overcome impossible obstacles and the struggle to communicate. As a young girl, Helen Keller is stricken with scarlet fever. The illness leaves her blind, mute, and deaf. Sealed off from the world, Helen cannot communicate with anyone, nor anyone with her. Often frustrated and desperate, Helen flies into uncontrollable rages and tantrums that terrify her hopeless family. The gifted teacher Annie Sullivan is summoned by the family to help the girl understand the world from which she is isolated, freeing Helen Keller from her internal prison forever. Television remake of the 1962 film which also starred Patty Duke in the role of Helen Keller.
Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.
In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self-confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali's personal and professional lives face the ultimate test.
Inspired by the life of Captain Vikram Batra (PVC), the film celebrates his bravery, valiant spirit and honors his invaluable sacrifice during the Kargil War of 1999, at the age of 24.
The film depicts Confucius's later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.
Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.
For a generation, the mobs main money machine was the Teamsters Union. When Jimmy Hoffa disappeared, the fight was on to see who could follow him. Jackie Presser was the son of a long time union board member and when he retired, Jackie was elevated to one of the most powerful position in the country; President of the Teamsters Union.
A tragic love story based in the life of the great latin american boxer Edwin "El Inca" Valero.