Eau de la vie

When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...

A Russian poet, Andrei and his interpreter, Eugenia travel to Italy to research the life of an 18th-century composer.

Ryan is a teenager who lacks the ability to speak. One day, Ryan falls off a bridge and he finds himself transported to a strange fantasy world where he encounters his Grandpa Randolph and a pretty girl named Melanie; together, Ryan and Melanie learn to help one another with their problems, and they both discover the wisdom they can gain from elders like Grandpa Randolph.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

When Tom travels across the country to locate the Daughter he never knew, undeniable questions of consequence rise to the surface when he offers a ride to stranded young woman.

A husband and father starts to dig a hole in his backyard, for no apparent reason.

A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

A group of middle-class friends driving around São Paulo choose one of the women as a bait to attract a victim, object of their alienation and moral aggressiveness.

A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.