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_**Corman’s Halloween-ish fairy tale of the Middle Ages in B&W**_ A psychologist (Val Dufour) comes back from Tibet and mesmerizes a streetwalker (Pamela Duncan) to go back to her former self in medieval times wherein she’s ready to be executed on the charge of witchcraft. Allison Hayes plays an evil witch, Richard Garland a knight, Mel Welles a gravedigger and Dorothy Neumann an ugly but good witch. Despite the title, "The Undead" (1957) has nothing to do with vampires. It was Roger Corman’s eleventh movie in a couple years (or twelfth if you count one flick he was uncredited for). Voluptuous Allison Hayes is super-sharp and one of the highlights; she also costarred in Corman’s “Gunslinger” from the prior year (she initially caught national attention as Miss District of Columbia in the 1949 Miss America pageant). It’s virtually impossible to determine the time period or region of the story since there are elements that existed at different periods of history. The flick was shot in six days for $55,000 so I doubt much thought was given to things like historical accuracy or consistency. Corman just thought that witches, knights and the devil would be cool things to have in his ‘B’ film. Think about it, you have a hooker regressing to a virgin in a past life, a time-traveling psychologist, a sultry witch & imp who can morph into bats at will and Satan manifesting on Earth. Obviously historical accuracy wasn’t high up on the list of importance. So enjoy it as a cinematic fairy tale with no more historical relevance than Cinderella. While this is a fun flick for the fall season, the B&W photography is crappy and the story isn’t compelling enough to give a higher grade. But it does have its points of interest. The movie is succinct at 1 hour, 11 minutes, and was shot on sets at a defunct supermarket in Beverly Hills with exterior shots of Witch’s House in the same town. GRADE: C
A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
Dracula and Renefield relocate to 70's era New York in search of Cindy Sondheim, the reincarnation of Dracula's one true love, Mina Harker. "Trouble adjusting" is a wild understatement for the Count as he battles Cindy's psychiatrist, Jeffrey Rosenberg, a descendant of Van Helsing, who may almost certainly, possibly, may be in love with Cindy too.
Two sisters go looking for a tree, but the one they take home with them might bring the attention of a mysterious witch cult.
A murderous and decrepit old woman resides on a California walnut farm with her family. On a whim, a traveler named Jodie makes a brief side trip to the farm, where he meets and falls in love with Melissa, the proverbial farmer's daughter. Jodie and Melissa grow closer as Melissa begins to reveal the strange, dark history of her family.
Jerry, his girlfriend Angela, and their friend Harold take a trip to a local seaside carnival, but when the carnival's fortune teller, Madame Estrella, predicts death for someone close to Angela, strange things begin to happen.
A bite from a giant spider turns a man into a creature that terrorizes a group of women who survived a plane crash.
Carpathian Count Alucard is invited to the U.S. by a young heiress. Her boyfriend and local officials are suspicious of the newcomer, who is interested in the "virile" soil of the new world.
A notorious bank robber kills his wife and flees the police, only to be captured by a mysterious group of figures in an abandoned town. His beautiful daughter, Lila Lee, receives a letter stating that her father is near death and that he needs to see her. Sneaking away at night from her minister guardian, Lila embarks on a terrifying journey...
Zé do Caixão is an undertaker in a small Brazilian town, searching for the perfect woman to bear him a superior child. Unable to conceive with his wife, he kills her and sets out to find someone else.
Zé do Caixão, the unholy undertaker, is back in town to continue his quest for the perfect woman, embarking on an even more brutal campaign of terror, aided and abetted by his hunchbacked assistant.
Shot live from the Winter Garden Theatre in New York City, this presentation of the 1980 Broadway revival of the beloved Lerner & Loewe classic follows King Arthur, who founds the kingdom of Camelot and the Knights of the Round Table. Their goal: fight for justice and right, but Arthur only sees his ideal crumble when his wife Guenevere falls in love with his favorite knight, Sir Lancelot.
