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_**The origin of the ‘Sorcerer Supreme’ (no, not Dr. Strange)**_ In 1506, a former sorcerer (Vincent Price) aids a lesser magician who has been turned into a raven (Peter Lorre) by a great wizard (Boris Karloff). When he learns that the ghost of his beloved dead wife (Hazel Court) has been seen at the castle of the great wizard, they venture there to find out, along with the sorcerer’s daughter and magician’s son (Olive Sturgess & Jack Nicholson). Directed by Roger Corman and written by Richard Matheson, “The Raven” (1963) is a horror comedy inspired by Edgar Allen Poe’s poem, spoofing Corman’s Poe flicks that were popular at the time. It’s amusing in the manner of the future “Young Frankenstein” (1974), yet in lush color. The trained raven is effective while the stunning Hazel Court is a highlight on the feminine front. Meanwhile there’s Nicholson as a strapping young lad. Despite being a comedy, fans of Marvel’s Dr. Strange might be interested in “The Raven” since some of the concepts clearly inspired Stan Lee & Steve Ditko in the creation of that comic book character. For instance, the idea of a sorcerer supreme and the look of Dr. Strange, who initially resembled Price, as well as the mystic mêlée of the sorcerers at the close, which features not only bolts of magic energy but ‘shields’ to thwart opposing energies. Dr. Strange’s debut in Strange Tales #110 was on the racks a few months following the release of “The Raven.” After the film was shot in 15 days, the superbly eerie sets were still available for a few days before demolition. Thus Corman acted quickly to concoct a script via Leo Gordon and enlisted Karloff & Nicholson for the quickie project, which turned out to be “The Terror,” released five months after this one. Boris said it was amusing the way Roger dashed around with him & the other actors filming scenes just a couple of steps ahead of the wreckers. Unlike the goofiness of this film, “The Terror” is a thoroughly serious Gothic Horror in the mold of spooky Hammer flicks, à la “Dracula, Prince of Darkness” (1966). So if you want to see a serious early 60’s horror movie utilizing the same superb sets, check it out. It’s impossible to compare the two since they’re so different in tone, but I favor “The Terror,” which features a young Francis Ford Coppola’s early directorial work in the formidable section shot in Big Sur, California. The film is trim at 1 hour, 26 minutes, and was shot in Los Angeles. GRADE: B-
Welcome to one of the few negative reviews of this film. There is a fine line between cheesy, campy, crappy horror film, and funny horror film. This falls into the former category. The plot concerns three sorcerers who try to outdo each other after they visit the gothic castle home of one. The plot gives way to humor that makes Adam Sandler at his worst look like Oscar Wilde. So many people find this stuff hilarious, but the lack of laughs makes this painful to watch. Corman did one masterpiece film, "Frankenstein Unbound," but his penchant for no budget and little thought to scripts have resulted in films on the level of Ed Wood. No one dares speak of this, however, because Corman is revered for giving up-and-comers their starts and always making a dime. Anyone can make a dime off a celluloid pile that costs a nickel. "The Raven" features Boris Karloff, Vincent Price, and Peter Lorre, and they are all terrible. They mug for the camera, and do not deliver one laugh. Jack Nicholson, young and fit, shows up in time to give no proof he would ever win Oscars. Corman's direction is standard, and Richard Matheson's screenplay seems like it was composed as the film progressed. I would put "The Raven" out for the night.
Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.
After his father's death, a young boy finds solace in action movies featuring an indestructible cop. Given a magic ticket by a theater manager, he is transported into the film and teams up with the cop to stop a villain who escapes into the real world.
The gang that created Airplane and The Naked Gun sets its sights on Top Gun in this often hilarious spoof starring Charlie Sheen, who previously only inspired laughs with his personal life. He plays Topper Harley, a fighter pilot with an axe to grind: clearing the family name. He gets involved in a relationship with Valerie Golino, a woman with an unusually talented stomach. But his mission is to avenge his father. Lloyd Bridges, late in his career, revealed an aptitude for this kind of silliness, here as a commander who is both incredibly dim and delightfully accident prone. Directed by Jim Abrahams, the film makes fun of a variety of other films as well, from Dances with Wolves to The Fabulous Baker Boys. It was so successful that they all returned in the sequel, Hot Shots! Part Deux.
Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was - and falls for him.
Conan is commissioned by the evil queen Taramis to safely escort a teen princess and her powerful bodyguard to a far away castle to retrieve the magic Horn of Dagoth. Unknown to Conan, the queen plans to sacrifice the princess when she returns and inherit her kingdom after the bodyguard kills Conan. The queen's plans fail to take into consideration Conan's strength and cunning and the abilities of his sidekicks: the eccentric wizard Akiro, the warrior woman Zula, and the inept Malak. Together the hero and his allies must defeat both mortal and supernatural foes in this voyage to sword-and-sorcery land.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.L. Stine. When Zach unintentionally unleashes real monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach and Hannah to get all of them back in the books where they belong.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.
When the nefarious Dark Helmet hatches a plan to snatch Princess Vespa and steal her planet's air, space-bum-for-hire Lone Starr and his clueless sidekick fly to the rescue. Along the way, they meet Yogurt, who puts Lone Starr wise to the power of "The Schwartz." Can he master it in time to save the day?