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This movie got love, death, and marriage. This movie also plays heavy into hypnosis. The cat is the true star of the movie, getting more screen time than Vincent almost. The pace is great and so is the unfolding of this story. Nothing gore and bloody, but it does keep suspense and the macabre in tact throughout. Although not the strongest in the Poe series that Corman did, it is still a movie that can entertain. Also if Disney wasn't using the title, I feel they could've used "That darn cat!" as a movie title. But it wouldn't pack a punch like Tomb of the Cat or the one it has now.
_**The black cat from hell at a manor in Victorian Britain**_ Amidst a crumbling castle in 19th century England, a widowed aristocrat (Vincent Price) mourns his wife, but quickly develops a new romantic relationship after meeting the forceful Rowena (Elizabeth Shepherd). Yet the soul of Ligeia seems to be haunting the estate and the apparently mesmerized Baron is hiding something. Released in late 1964, "The Tomb of Ligeia” is Gothic horror based on the Edgar Allan Poe story from 1838 (which was revised in 1845 with the addition of his 1843 poem “The Conqueror Worm,” written by the character Ligeia). This was the last of Roger Corman’s eight Poe films from 1960-1964, which all made money but this one made the least, possibly because the quasi-series had run its course and the story was overly complicated. Nevertheless, Corman considered it one of the best of the lot. Since the original tale was so short, scriptwriter Robert Towne incorporated elements from other Poe stories, such as the black cat, mesmerism and a hint of necrophilia. The talky story isn’t as compelling as Corman’s “The Terror” (1963) or even “The Masque of the Red Death” (1964). It’s rather boring for the first hour, but there’s an effectively creepy payoff in the last act, which ties everything together. Like those previous two films, the sumptuous Gothic ambiance is worth the price of admission and the inclusion of Stonehenge is a highlight. You just have to acclimate to the dated drama-focused goings-on. The movie runs 1 hour, 22 minutes and was shot at Shepperton Studios, just west of London, and Castle Acre Priory north of Swaffham, as well as other spots in England, such as Stonehenge, Polesden Lacey and Polzeath, Cornwall, at the southwest tip of Britain (the beach scene). GRADE: B-/C+
A shipwrecked sailor stumbles upon a mysterious island and is shocked to discover that a brilliant scientist and his lab assistant have found a way to combine human and animal DNA—with horrific results.
The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.
A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.
The "sematary" is up to its old zombie-raising tricks again. This time, the protagonists are Jeff Matthews, whose mother died in a Hollywood stage accident, and Drew Gilbert, a boy coping with an abusive stepfather.
After the death of her best friend Izzy, Anna focuses all her attention on Booger, the stray cat which she and Izzy took in. When Booger bites her, she begins to undergo a strange transformation.
Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.
Young Victor Frankenstein returns from medical school with a depraved taste for beautiful women and fiendish experiments.
Carnivorous aliens arrive unannounced at a Kansas family farm; two intergalactic bounty hunters soon follow, determined to blow them off the planet.
Old houses in Zagreb are destroyed in order to build new, bigger blocks. A teacher who lives in one of these houses allows a stranger to share his home with him. The stranger has a fascination with statistics, and claims he can predict crimes based on statistical analyses. When a predicted murder did not occur, the stranger is adamant that the whole town will suffer unless a balance is achieved - and he leaves.