Flight Risk 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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Chris Jansing Reports - (Mar 26th)
The Kelly Clarkson Show - (Mar 26th)
Four in a Bed - (Mar 26th)
Pawn Stars - (Mar 26th)
Help Im in a Secret Relationship - (Mar 26th)
Hunting History with Steven Rinella - (Mar 26th)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
The Diamond Sleeping in the Sea - (Mar 26th)
Watch What Happens Live with Andy Cohen - (Mar 26th)
Tribunal Justice - (Mar 26th)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Based on the screenplay by Mel Dinelli, this story revolves around Helen Warren, a beautiful mute girl, who becomes the target of a mysterious killer who preys on young handicapped women.
The investigation of two horrific mass murders leads to the capture and trial of the psychotic pseudo-hippie Charles Manson and his "family".
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
Albert Fish, the horrific true story of elderly cannibal, sadomasochist, and serial killer, who lured children to their deaths in Depression-era New York City. Distorting biblical tales, Albert Fish takes the themes of pain, torture, atonement and suffering literally as he preys on victims to torture and sacrifice.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner - who all give an interesting perspective on the worlds most famous spy.
An investigation into a serial killer leads two detectives to discover that Dr. Frankenstein and his creature are still alive after two centuries of genetic experiments.