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_**Character study of a flawed preacher**_ "The Apostle" (1997) is a film that I've appreciated more as I've matured. Writer/director Robert Duvall had to make it independently because studios wouldn’t touch the material. The story's a character study of a Southern Pentecostal preacher, Sonny (Duvall), whose wife wants to leave him (Farrah Fawcett) and more. Sonny reacts foolishly and is forced into exile to the backwaters of Louisiana. Wherever Sonny goes, he can't seem to part with his "calling" and "anointing" – to lead people to the LORD and motivate believers. If you can't handle Pentecostalism and all that goes with it – lively praise & worship, charismatic gifts, evangelism and prayer – I suggest staying far away from "The Apostle." I also suggest you stay away if you're not into seeing depictions of Southern poverty or nigh-poverty since large portions of the film take place in this environment. Duvall's idea was to do a modern take on the King David tragedy: A man of God who falls into adultery and, then, worse. Even so, Duvall stated in a 2010 interview that Sonny's sins aren't half as bad as David's since there are big differences between their transgressions. "The Apostle" is the best kind of character study because it evokes strong opinions and interesting discussions. Is Sonny a genuine but seriously flawed minister or just a phony who doesn't know it? Put another way, can a Christian be a "man (or woman) after God's own heart" and still commit serious sins? Does Sonny legitimately repent or does he evade repentance? Is the theology presented in the film shallow or heavy? Is resorting to righteous anger or corporeal punishment sometimes appropriate for the New Testament believer or should Christians always be lovey-dovey doormats? There's nothing like "The Apostle" in cinema. It's a unique and moving drama that gets better with repeat viewings because a lot of what is conveyed is subtle and wordless. There's just the right amount of ambiguity that keeps the viewer guessing and the movie open to interpretation. The film runs 2 hours, 14 minutes, and was shot in Collin County & Denton County, Texas (both just north of Dallas) and Lafayette, Louisiana. GRADE: A-
A ranger whose passion is nude painting comes to work in a remote Bosnian village. He asks the local women to pose naked for him. They are shy at first, but they eventually agree to do so. This makes their husbands furious, who think that the ranger is sleeping with their wives.
Ex Con Armstrong Cane (Ving Rhames) returns to home a changed man looking to take over his father's old church and congregation. The neighborhood though is full of drugs and gangs. Those who are able are leaving for more prosperous areas and falling in with a slick preacher (Ricardo Chivara). Even with a dangerous gang leader (Dean McDermott) threatening his flock, Armstrong won't give up.
Forced to work extremely hard to keep things afloat, Paul begins hearing voices in his head questioning his past choices. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.
In this biopic about the life and death of Ângela Diniz, Angela meets Raul and believes she has found someone who loves her free spirit as much as she does. The overwhelming attraction makes the couple drop everything and live the dream of rebuilding their lives on the beach. But the relationship declines into abuse and violence, giving rise to one of the most remembered murders in Brazil.
Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life - with the coldhearted Ginnie in tow - Arlis must deal with his past demons.
The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.
Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are exposed. Like many men, he becomes disgusted by the masks he wears and the lies he tells. In every man's life, there can be a turning point. When Jay makes his turn, he never looks back.
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
An ensemble comedy, where the romance is between the young people of the 60s, and pop music. It's about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60's when the Labour government of Harold Wilson, wanted to bring the pirate radio stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967. Also known as "Pirate Radio".