Women Aren't Funny

All Wally Mellish, an ex-convict in 1960s Australia, wants to do is live a quiet life with his girlfriend Beryl. Unfortunately when two police officers come around to disturb this, a misunderstanding quickly becomes out of control, resulting Wally, Beryl and her child being trapped in their house, surrounded by armed police under the impression that Wally is holding everyone hostage. Events quickly spiral into a media circus as, through the siege, Wally - inadvertently - manages to become a symbol for the anti-war movement.

A view into Taylor's day to day life, as seen through Snapchat, as she searches for a girlfriend.

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

Portraits of contemporary African women from four West African nations: Burkina Faso, Mali, Senegal and Benin.

The story of teenager Billy Bloom who, despite attending an ultra conservative high school, makes the decision to run for homecoming queen.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.

When teenage geniuses Mitch Taylor and Chris Knight, working on an advanced laser project, learn that the military wants to use it as a weapon, they decide to thwart the plan.

An advertising man is slowly sliding downhill. When he is fired from his job in Detroit, he signs up for unemployment. One day they find him a job: teaching thinking skills to Army recruits. He arrives on base to find that there is no structure set up for the class.