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I'm a jinx Larry. Massacre River is directed by John Rawlins and written by Louis Stevens. It stars Guy Madison, Rory Calhoun, Carole Matthews, Cathy Downs, Johnny Sands and Steve Brodie. Music is by John Leipold and Lucien Moraweck and cinematography by Jack Mackenzie. Three army buddies, two ladies, and Indians unhappy about land encroachments. Spells trouble for sure. Massacre River is a tricky Western to recommend in that it is not one for those expecting a Cavalry and Indians actioner, this is no high energy "B" Western. It relies heavily on character dynamics and a story ripe with surprising forays into darker territories. In fact it is far from routine stuff, a tag that even the New York Times reviewer of the time was quickly wrong to call it. We have five people caught in a devil's pentagon, friendships and passions are tested and emotions reach boiling point. Thankfully the makers involved here have the courage of their convictions to make bold decisions with some of the characters. Decisions that bring the pic into a film noir realm, which when aided by some pleasing monochrome photography, and shadow play when the story goes bleaker, marks this out as very being aware of that style of film making that was bubbling away with menace at the time. It begins all jaunty with pals larking around, even bordering on the homo erotic as two of the guys wrestle in a bath of water (seriously), and with a meeting of the fort colonel and the Indian chief (Art Baker and Iron Eyes Cody) outlaying a problem brewing between the two factions, it appears to be heading into "formula". But once the action switches to Jackson (the last outpost bordering Massacre River), the whole tone shifts, very much so, and it becomes a spicy hotbed of human agonies and vagaries of fate. Problems exist of course. It's nice to have Calhoun and Brodie in the same movie, but the former's fans are made to wait for him to be seen at his best, while the latter is very under used. Story wise there is a hint of under staffing at one of the forts, but it's not explored for benefit, while the Indian angle ultimately feels tacked onto the human drama. But it's nicely performed by the cast, there's some nice photography and camera work, while the comforting sight to Western fans of the Iverson Ranch locale is boosted by shots filmed at Canyon de Chelly National Monument. Well worth a look for Western fans familiar with noirish angles of the period. 7/10 Footnote: Some sources have it listed as being in Sepiatone. Not sure if it was filmed originally in that format? But the print I saw via TCM's HD channel wasn't so, it was a straight and very nice looking monochrome print.
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.
A homage and parody of 1950s and 1960s Thai romantic melodramas and action films. Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.
A portrayal of the early Latter-day Saints' joys, sacrifices, hopes, and trials; their epic journey to the Salt Lake Valley; and their legacy of faith in Jesus Christ.
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.
Old Ma Conway champions statehood for Wyoming, believing the measure would put an end to the territory's lawlessness; but the elderly woman is opposed by cattle buyer and tax assessor Lee Landow and greedy banker Dixon. When Ma offers her opinion in a newspaper article, Landow sends his henchman Ringo to put the fear of God in the woman.
Wildcatter Jeff Dawson does his best to bring in a gusher in Mexico despite continual bandit raids. He asks for help from his ex-employer Ward Conway, but Conway, now married to Dawson's ex-lover Marina refuses, fearing that his wife will want to renew her romance with the other man.
After a card game, Southerner Owen Pentecost finds himself the owner of a Denver hotel. Involved with two women, he then has to make even more fundamental choices when, with the start of the Civil War, he becomes one of a Confederate minority in a strongly Unionist town.
The Daughter of Dawn is a silent Western, and one of the few films of the silent era to have an entirely Native American cast. It tells the story of a Kiowa woman and her lover, his feats of bravery, and their trials at the hands of a jealous rival and Comanche warriors. Completed in 1920, it was only shown a few times before being considered lost. Five reels of the movie were found in 2005, and restored by the Oklahoma Historical Society in 2012.
