Song of Umm Dalaila, the Story of the Sahrawis

A first-person account of a kid named Sidney in a town that helped him become who he is today: Cole Harbour, Nova Scotia.

A satire on celebrity with a cacophony of gossip merchants, publicists, and “a host of stars.”

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

Explores the natural history of the otter, depicted through the fictitious account of a day in the life of Otto the Otter and his mother. The narrator claims that the short features "the first film ever taken of an otter swimming underwater."

César Menéndez confesses that he has lived and, at the same time, is a man condemned to paint. Through a brief tour we enter the interior of his work and his world, loaded with a great religious and sacrilegious metaphor, in the tradition of Luis Buñuel or Federico Fellini.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

The third part about the production of "Raging Bull."

Three boxing athletes and one coach open up about their journey within the demanding sport. This touches on community, role models, mental health, and the sport perception on mainstream media.

In the spring of 2022, an international tourist group will make a day trip to Bethlehem in the occupied West Bank to visit religious sites. But something is wrong here - the whole city is on strike. The two tour guides, one Israeli, the other Palestinian, do not want to comment on the matter. A murmur goes around about an incident the day before…

In the wake of cataclysmic regional change in the artist's homeland of Hong Kong, Simon Liu’s Cinema-Strobo-Scopic film features a laborious sequence of analogue darkroom practices and dense shrouds of video processing techniques which actively work to both conceal and reappraise approaches to personal expression in the face of censorship. Times ahead and behind collide - a new linearity is in need of; the glittering lore of the way things were, generations lost to resolution errors. Sifting through new realities of misinformation, digital consciousness, and cultural disappearance, "Single File" seeks new lexicons of disobedience through formal experimentation.