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**_The micro-budget Indie that brought the Dracula story to the modern day_** Three Los Angeles couples in their 20s-30s hold a séance with a mysterious immigrant from Bulgaria, a count (Robert Quarry). When one of the couples drives him home in their Volkswagen van, they become suspicious of the man. Could he be… a vampire. “Count Yorga, Vampire” (1970) was originally to be called “The Loves of Count Iorga, Vampire” and this explains the title during the opening credits of the version I viewed. It also explains why a couple of the characters (not all) pronounce the Count’s name as ee-OR-gah. This is an Indie by Erica Productions that AIP wisely decided to distribute. It only cost $64,000 (which is $50,000 LESS than “Night of the Living Dead”), but is superior to some of the Hammer vampire flicks. And, actually, influenced Hammer’s decision to set their next two Dracula movies in the 70s; I’m talking about "Dracula A. D. 1972" (1972) and "The Satanic Rites of Dracula” (1973). It was also the inspiration for the haunting cult Indie "Lemora: A Child's Tale of the Supernatural" (1973). While it’s currently an all-but-forgotten cult film, what made it so influential at the time is the successful transference of the basic Dracula story to modern times. In this case the City of Angels in SoCal, which made it more relatable to people of 1969 (when it was shot), the summer of the Manson murders. Despite the micro-budget, there’s a serious, creepy air and several memorable scenes, like the late-night guests who prattle on and won’t leave. It has the confidence to take it’s time and not rush things. Expect the staples of the Dracula flicks, albeit in a new (at the time) variation, such as Drac’s repulsive house servant, his trio of undead wives, and a substitute for Dr. Van Helsing (Roger Perry). Whereas Lee's Dracula was more diabolic, he was boring as a character and therefore had few words of dialogue. Quarry's Yorga, by contrast, is intriguing as a person, undead or not, similar to Langella's take in his 1979 version of “Dracula.” The success of "Count Yorga, Vampire" resulted in a sequel the next year, "The Return of Count Yorga." The flick runs 1 hour, 33 minutes, and was shot in Los Angeles. GRADE: B
An all-female version of the Van Helsing tale reconfigures the vampire story as an erotic fantasy. The great, great granddaughter of Van Helsing seeks to slay the sexy Countess Dracula. She may have to pretend to be her devoted love slave to get closer to the bloodthirsty demon.
Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.
Reclusive vampires lounge in a lonely American town. They wear sunscreen to protect themselves. A descendant of Van Helsing arrives with hilarious consequences.
The second coming is upon us, and Jesus has returned to earth. But before he can get down to the serious business of judging the living and the dead, he has to contend with an army of vampires that can walk in the daylight.
D, a legendary dhampir competes with a motley family of bounty hunters to track down Charlotte Elbourne, a young woman who has seemingly been abducted by vampire nobleman Meier Link.
Whilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire.
Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras.
On a shady side-street in Koreatown, a diabolical woman (Dawna Lee Heising) lures in beautiful homeless girls, junkies, speed freaks, illegal aliens, and the average ex-high school prom queen, simply down on her luck. It is in this deadly house of shame that these new victims will be enslaved, and sold on the flesh market.
Directly based upon the infamous Houston Mass Murders, the film centers around Elmer Wayne Henley's life before, during, and immediately after his involvement with Dean Corll and David Brooks, and their killing spree of over 28 victims from 1970 to 1973.
Maimed by bullies at a California high school, a new student engineers acts of revenge.
