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Fanciful Fiction. I Killed Wild Bill Hickok is a fictionalised story about how a man called Johnny Rebel (Johnny Carpenter) came to gun down the famed Wild Bill Hickok (Tom Brown), who here is the corrupt sheriff of Tri City at the end of the Civil War. OK! It's pretty bad if unassuming, where running at just over an hour in length it is thirty minutes too long! Released in 1956 but thought to have been made in 54, everything about the film feels more like a 30s Oater. From production value, musical scoring, acting performances, directing style (Richard Talmadge) and etc, it just comes off as being a genre piece well out of its time. It's always the innocent. Some olde Western staples are adhered to, with shoot-outs, pesky Indians, chases, pretty gal interest and good versus evil of course, but these are all gelled together by stock footage and repeat scenes to pad out the picture. There's a number of scenes of horses running around which really serve no purpose, though a clever white Palomino is actually the best actor in the picture! It all builds to a furious finale, where producer - writer - star Carpenter gets to waylay practically the whole town on his own, his repeater rifles thrown to him from the side by the lovely Belle Longtree (Helen Westcott). It is here where the picture at least makes it worth the time spent viewing it, with a whole raft of admirable stunt work on show. Talmadge proves to be not much of a director, but the fact he was a stunt man of some note himself is very much evident in the film's last 15 minutes. Approach with caution. 4/10
Elliott is hunted by Curtis who has spent six years behind bars because of his testimony. After knocking out several baddies and putting up with the zany antics of his sidekick Taylor, Elliott guns down his antagonist, but Luana Walters, the girl he almost marries, will not abide a gunslinger so Elliott is compelled to ride off alone into the sunset once more.
Wild Bill Hickock and Cannonball help two young people in love and bring the murderer of Cannonball's father to justice.
An exploration of the myths surrounding the colorful Western heroine and both the legendary Wild Bill Hickock, with whom she had an unorthodox courtship, and the flamboyant Buffalo Bill Cody, between the 1870s and the turn of the century.
Sharpshooter Calamity Jane takes it upon herself to recruit a famous actress and bring her back to the local saloon, but jealousy soon gets in the way.
The story takes place in Kansas, just after the Civil War. Wild Bill Hickok is summoned from Dodge City to Abilene, there to neutralize a crooked political machine. Hickok is aided every step of the way by Tex Rawlings, a seemingly harmless drifter who is appointed sheriff after proving his prowess with his six-guns.
Two episodes of the TV series "Wild Bill Hickok" edited together and released as a feature.
When the young Texas Ranger, John Reid, is the sole survivor of an ambush arranged by the militaristic outlaw leader, Butch Cavendich, he is rescued by an old childhood Comanche friend, Tonto. When he recovers from his wounds, he dedicates his life to fighting the evil that Cavendich represents. To this end, John Reid becomes the great masked western hero, The Lone Ranger. With the help of Tonto, the pair go to rescue President Grant when Cavendich takes him hostage.
Wild Bill Hickok, Calamity Jane and Buffalo Bill go up against Indians and a gunrunner.
Buffalo Bill and Wild Bill Hickok join forces to establish a mail route that can get mail from St. Joseph, Missouri, to Sacramento, California, in ten days. Along the way they must battle bad weather, hostile Indians and outlaws intent on robbing the mail and shutting down the entire operation.
Bill Hickok, assisted by Calamity Jane, is after a foreign agent and his guerrilla band who are trying to take over some western territory just as the Civil War is coming to a close.
