War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
One of Terence Fisher's most undervalued films. "Overshadowing the village of Vandorf stands the Castle Borski. From the turn of the century a monster from an ancient age of history came to live here. No living thing survived and the spectre of death hovered in waiting for her next victim." Directed by Terence Fisher for Hammer Film Productions, The Gorgon stars Peter Cushing, Christopher Lee, Barbara Shelley and Richard Pasco. Photography is by Michael Reed, the design courtesy of Bernard Robinson and the unique score is by James Bernard (he blended Soprano with a Novachord). Very much a bit off kilter in terms of classical Hammer Horror, The Gorgon sees Hammer turn to Greek Mythology for its latest instalment. The key issue here is that The Gorgon should be viewed more as a doomed love story featuring a legendary horror character. To call this a horror film is just wrong, and marketing it a such has done the film few favours over the years. Fisher always thought of The Gorgon as one of his best films, and he was right to do so for it's a hauntingly beautiful piece of work, a film that is also one of Hammer's most visually accomplished efforts. Yes the effects of the Gorgon herself come the finale are low budgeted naffness, to which if it had been possible to never show close ups of her the film would have been greater. More so because all the prior long distance shots of her have gained maximum chill factor. She's a floaty green demon accompanied by eerie music, effectively shot in dreamy Technicolor by Michael Reed. But cest la vie, the story is such we have to have these close ups, so lets just embrace this minor itch for existing in a time before CGI and applaud its adherence to the Gothic tradition that the film faithfully captures. Though featuring the big Hammer Horror hitters Cushing & Lee, it's Barbara Shelley who really takes the honours. Her Carla Hoffman is the axis of the movie, an emotionally conflicted character, beautiful yet sorrowful, she gets an in-depth makeover from Shelley. Further lifting the film above the average jibes bestowed on it by cruel and unfair critics. Patrick Troughton also lends some good support as Inspector Kanof, wonderfully attired in Rosemary Burrows' Gothic European costumes. There's no bad performances in truth, all the cast are delivering good work to do justice to the material. There is no, if you pardon the pun, ham in this Hammer Horror. A wonderfully told story is given a smart technical work over within the budget restrictions. Forget any hopes of a blood laden movie, for this is not the one. But if you yearn for Gothic atmosphere or prefer a hauntingly told tale, then this is for you. 8/10
***Medusa’s sister is loose in post-Victorian Germany!*** The spirit of one of the three Gorgon sisters from Greek mythology is terrorizing a German village in the early 1900s. A doctor (Peter Cushing) seems to be in denial about the supernatural element of the mounting deaths in the last seven years, but a professor from out of town has no qualms about finding the truth (Christopher Lee). Barbara Shelley plays the doctor’s assistant while Richard Pasco is on hand as a subordinate to the professor. "The Gorgon" (1965) is cut from the same gothic horror cloth as other Hammer flicks of the era, like “Dracula, Prince of Darkness” (1966), “Frankenstein Created Woman” (1967) and “Frankenstein Must be Destroyed” (1969), as well as similar non-Hammer movies, like Corman & Coppola’s “The Terror” (1963) and “The Creeping Flesh” (1973). If you like these kinds of films, you’ll appreciate “The Gorgon,” although it’s the least of these IMHO, albeit not far off. The pace is slow as suspense mounts with various revelations. The romantic element lends human interest and it’s nice to see Cushing and Lee sorta trade typical roles. As usual with Hammer and similar flicks from the era, the colorful spooky ambiance is a top attraction. And noble redhead Barbara Shelley doesn’t hurt. The movie runs 1 hour, 23 minutes, and was shot at Bray Studios in England. GRADE: B
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
The Prince of Darkness casts his undead shadow once more over the cursed village of Kleinenberg when his ashes are splashed with bat's blood and Dracula is resurrected. And two innocent victims search for a missing loved one... loved to death by Dracula's mistress. But after they discover his blood-drained corpse in Dracula's castle necropolis, the Vampire Lord's lustful vengeance begins.
When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.
A medieval tale with Pythonesque humour: After the death of his father the young Dennis Cooper goes to town where he has to pass several adventures. The town and the whole kingdom is threatened by a terrible monster called 'Jabberwocky'. Will Dennis make his fortune? Is anyone brave enough to defeat the monster?
After Jonathan Harker attacks Dracula at his castle, the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.
A band of soldiers is dispatched to war games deep in the woods. When they stumble across a rival team slaughtered in camp, they realize they're not alone.
It's not unusual for alcoholic cop Lou to black out and wake up in unfamiliar surroundings, but lately things have taken a turn for the strange...and hairy. WolfCop is the story of one cop's quest to become a better man. One transformation at a time.
An American village is visited by some unknown life form which leaves the women of the village pregnant. Nine months later, the babies are born, and they all look normal, but it doesn't take the "parents" long to realize that the kids are not human or humane.
After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.
In the brutal trench fighting of the First World War, a British Infantry Company is separated from their regiment after a fierce battle. Attempting to return to their lines, the British soldiers discover what appears to be a bombed out German trench, abandoned except for a few dazed German soldiers. After killing most of the Germans, and taking one prisoner, the British company fortifies to hold the trench until reinforcements can arrive. Soon, however, strange things being to happen as a sense of evil descends on the trench and the British begin turn on each other.