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George Arliss is the eponymous red clergyman attempting to control 17th Century France. He is the first minister of the ineffectual Louis XIII and as such, is the object of pretty universal loathing from serfs and nobles alike. He is also, however, remarkably astute and thick-skinned, and will manoeuvre and scheme to advance the cause and safety of his nation. Sadly, though - even with all that to work with, neither director Rowland V. Lee, nor Arliss himself really deliver anything particularly exciting or intriguing. The plotting and counter-plotting is all just a bit shallow, the wordy dialogue neuters the characters quite effectively and the pace of the whole thing lurches rather than flows. It has grand set staging, but that seems to suggest it might make for a better play than a movie and although there are plenty of familiar faces propping him up - Cesar Romero, Edward Arnold and quite a jolly contribution from Maureen O'Sullivan, on the whole I was disappointed by this rather dry, procedural drama.
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King Edward IV of England. As each murder is accomplished he takes particular delight in removing small figurines, each resembling one of the successors, from a throne-room dollhouse, until he alone remains. After the death of Edward he becomes Richard III, King of England, and need only defeat the exiled Henry Tudor to retain power.
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
In WWII-era Rome, underground resistance leader Manfredi attempts to evade the Gestapo by enlisting the help of Pina, the fiancée of a fellow member of the resistance, and Don Pietro, the priest due to oversee her marriage. But it’s not long before the Nazis and the local police find him.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
When Will decides to tell his daughter the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future.