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Now I did quite enjoy "John Carter" with Taylor Kitsch from 2012 but yikes what have they done to the story here? Antonio Sabato Jr in the "Carter" role makes Kitsch look like Marlon Brando. He's just dreadful. To be fair, the third-rate CGI doesn't help, nor does the pretty awful script or the fact that he is clearly there (shirt off) to complement the even less glorious talents of the eponymous character (Dejah Thoris) who seems to have based her characterisation on an over-exposed, sepia-tinted, version of "Wonder Woman". Somebody decided that the US operations in the Middle East was a better starting point and it all goes downhill quite continuously from there. I did quite like the worm thing that spurted out the nutritious milk as our character finds himself transported from Earth to the deserts of Mars where he soon becomes embroiled in a war for the survival of his warlike and horned captors. Luckily he can jump. Boy, can he jump - just not far enough to escape the ensuing nonsense that is reminiscent of Glen A. Larson's "Buck Rogers in the ...". Did "Jabba the Hut" lend out his sailing barge too? It's not the end of the world - though you can see that from here, it's just derivative and trashy.
**_The ‘B’ version of “John Carter”_** When a “jarhead” is injured in Afghanistan (Antonio Sabato Jr), he is used in a teleportation experiment and transferred to a planet in the Alpha Centauri stellar system. Due to the lower gravity, he has the ability to leap great distances and earns the respect of his captors, the Tharks. After meeting a human-like princess (Traci Lords), she leads them to an air-purifying station that keeps the planet hospitable. "Princess of Mars" (2009) is based on Edgar Rice Burroughs’ pulp work from 1912 and follows the book pretty well, just updating the opening and cutting out the fat; not to mention adding the (unnecessary) character of Sarka, along with alterations to the various creatures and the addition of some well-done droll humor. Burrough’s Barsoom series (and his books in general) were the comic books of that day and so this flick is very comic booky and can be enjoyed on that level. Costing a fraction of the forthcoming “John Carter,” you can’t really compare the two. It omits any reference to the mysterious and fascinating Therns, who didn’t debut until Burroughs’ second book, “The Gods of Mars” from 1913, which the Disney blockbuster morphed from indigenous Barsoomians to a race of technologically advanced aliens of unknown origin. Nevertheless, there’s still some meat on the bones with the interesting atmosphere-cleaning plant, as well as the understandable contention between the Tharks and their human-like rivals on Barsoom, the latter of which maintain the station. Traci Lords was 41 during shooting, but in perfect physical shape, so I found her acceptable as Dejah Thoris, despite her age, blonde hair and lack of reddish skin tone. Keep in mind that while the Brothers Grimm described Snow White as having hair as black as ebony, there have been renditions of the story where she has “golden” hair, including at least two films, one of them being The Asylum’s own “Grimm’s Snow White.” It runs 1 hour, 33 minutes, and was shot in the Greater Los Angeles area at Vasquez Rocks, Bronson Caves, Long Beach, Santa Clarita, Shea's Castle and nearby Castle Ranch in Lancaster. GRADE: B-
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs."
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence.
When a huge alien probe enters the galaxy and begins to vaporize Earth's oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
A renegade Vulcan with a startling secret hijacks the U.S.S. Enterprise in order to find a mythical planet.
After years of war, the Federation and the Klingon empire find themselves on the brink of a peace summit when a Klingon ship is nearly destroyed by an apparent attack from the Enterprise. Both worlds brace for what may be their deadliest encounter.
Captain Jean-Luc Picard and the crew of the Enterprise-D find themselves at odds with the renegade scientist Soran who is destroying entire star systems. Only one man can help Picard stop Soran's scheme...and he's been dead for seventy-eight years.
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
When an alien race and factions within Starfleet attempt to take over a planet that has "regenerative" properties, it falls upon Captain Picard and the crew of the Enterprise to defend the planet's people as well as the very ideals upon which the Federation itself was founded.