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Dimension 20 - (Feb 20th)
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Family Feud Canada - (Feb 20th)
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Australia on Fire- Climate Emergency - (Feb 20th)
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Storyville - (Feb 20th)
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> The lesson the WWI taught us that we shouldn't let it fade away. Kind of reminded me 'Atonement', but not a similar movie, except like you know the loved one goes to the war, serving a nurse in the army like stuffs. Actually, this one was a biopic of a young Vera Brittain that set in the England, 1914. Her wish becomes real to attend the university of Oxford, but at a same time the World War I breaks out and puts her dream to a pause while her beloved ones are fighting in the war. She fights her own way to save them and bring safely back home. For that she goes through many difficulties and by the time when war nears the end, the movie as well. I felt it was a bit lengthy, but covers everything without racing towards the end by trimming all the important portions. It was an anti-war theme. It demonstrated the struggles that everyone who linked directly to the war would go through. Like parents, fiancee, siblings, friends who send their loved ones to the war. Especially how the young generations are affected by the sudden warfare. So like the title, Vera tells the story by recalling her memories. The film won't show the battles, but only a glimpse of a few seconds for a couple of times. Alicia Vikander was at her best. She was quite impressive in the recent films of hers. I liked the filmed locations, some of the countryside landscapes were beautiful. The end scene is where it really breaks our heart, makes us to feel what Vera felt. The book which this movie was based on was a bestseller at that time, but was just a someone's story, although the world war two came. It is a good movie about a stupid war. The first major mistake by the man in the modern world, followed by another. 8/10
I remember really enjoying the 1979 BBC dramatisation of this Vera Brittain memoir of her experiences as the Great War took hold of Britain at the start of the 20th century. It's all a little like "Narnia" as her family live out their lives in peace and relative prosperity whilst she (Alicia Vikander) considers a career at Somerville College. Her brother Edward (Taron Egerton) is keen to join up, but their dad (Dominic West) is having none of that so he asks her to try to "persuade" him. That's the start of her own involvement in this conflict, an involvement that is going to expose her to hideous horrors, personal and emotional challenges and to ultimately change her life for ever. It's not just her brother who wants to fight, but his friend Victor (Colin Morgan) and her beau Roland Leighton (Kit Harrington) and so she quite suddenly finds her self somewhat bereft and adrift, studying under Miss Lorimer (Miranda Richardson) at university - but unsure of the value of that now. Determined to offer some practical help to the war effort, she enlists as a nurse and travels to France where she experiences the trauma - and it's results - at first hand and where we, over the next two hours, get a sense of the pride, the sensitivities and the sheer brutality of this war. An indiscriminate type of stale-mate brutality that might seem totally futile were it not for the dedication of those prepared to give their today for someone else's tomorrow. It's beautifully photographed and Vikander presents us with an emotionally delicate but powerful illustration of not just this one woman, but of an entire generation who were ill-prepared for such an enduring and heart-wrenching period. Harington is easy enough on the eye, but he isn't the best for this part. Indeed, I found him to be just a bit too light-weight. Maybe that does typify the innocence of average officer who set off in a freshly tailored uniform thinking it would all be over by Christmas, but I just found his contribution a bit weak. That's more of a niggle, though, because otherwise it's a compelling story that bears watching and provides food for thought as we muse the continuing predilection of mankind to find new ways of slaughtering each other.
The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.
Author Rudyard Kipling and his wife search for their 17-year-old son after he goes missing during WWI.
When the Great War breaks out, brothers Roy and Monte Rutledge, each attending Oxford University, enlist with the Royal Flying Corps.
Wandered away from his asylum, an amnesiac World War I veteran falls in love with a music hall star but his amnesia makes it difficult to last.
Under the thumb of Nurse Baker, Nurse Maggie Collins struggles to care for the long-term residents of Moss Oak Manor, a home for the elderly. When good intentions are misinterpreted, Maggie must struggle to address issues of ambition and ethics.
August 1914. While the German army is gaining ground in the North of France, four boys aged 10 to 15, LUcien, LUcas, LUigi and LUdwig are left behind during the evacuation of their orphanage. Without the protection of Abbé Turpin and the schoolteacher Leutellier, the Lulus are now stranded on their own behind the enemy front line. Soon joined by LUce, a pretty young girl separated from her parents, they decide to reach the neutral country of Switzerland by all means possible... they embark on an adventure for which nothing and no one has prepared them!
Alice Ball, a 23 year-old African American Chemist living in 1915 Hawaii fights against racial and gender barriers to find an effective treatment for leprosy before Kalani, a 10-year-old patient is exiled into the leper colony of Molokai.
The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.
A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years before.
Relationship issues arise between a researcher with a theory to explain away all his failed dating experiments, a player who wants out of the game, a deejay whose head spins with thoughts of God, a hoodrat with no street cred, a poet not-so-well-versed in the art of love, and a womanipulator of men.