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Shock Docs: This is Halloween combines an impressive set of experts/historians and stars from many of the Travel Channel’s most popular series such as Ghost Nation, Destination Fear, Ghost Brothers, Kindred Spirits, Expedition Bigfoot, and The Holzer Files to reminisce on not only the history/origins of the holiday, but also recall their favorite memories of the celebrations, costumes, and scares.
a collection of different shots comprised a fictionalized, but highly detailed of the america's west. where civilization meets nature in an illusion of history.
A riveting expose about the personalities of murderers and their motives. This 72 minute film covers the McDonalds' restaurant massacre, President Reagan's assassination attempt, serial murderer Henry Lee Lucas and others.
French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.
Kingdom Come: Deliverance is a unique single-player RPG set in the realistic world of medieval Europe. The path to its release was a long and complicated one: the game was rejected by publishers as too risky and its development was only possible thanks to the support of thousands of backers on Kickstarter. Even then, the developers still faced a whole range of obstacles due to the game's unconventional ideas and mechanisms. This documentary charts the more than six-year long, tortuous journey from the foundation of Warhorse Studios to the final release of the game.
An exploration of the past and future of the steel industry in America.
50 years after the death of General De Gaulle, this film retraces his life, from his birth in 1890 to his burial at Colombey-Les-Deux-Eglises in 1970.
The mavericks who pioneered the modern pit stop made it a raceday staple that takes less than two seconds.
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
