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Watson - (Jan 27th)
90 Day Pillow Talk Before the 90 Days - (Jan 27th)
Sister Wives - (Jan 27th)
Ice Road Rescue - (Jan 27th)
Very Scary People - (Jan 27th)
90 Day Fiance- Before the 90 Days - (Jan 27th)
Home Town - (Jan 27th)
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Snapped - (Jan 27th)
The Sunday Show with Jonathan Capehart - (Jan 26th)
Match of the Day 2 - (Jan 26th)
Deadline- White House - (Jan 26th)
Love Island- All Stars - (Jan 26th)
GRAND SUMO Highlights - (Jan 26th)
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22 Kids and Counting - (Jan 26th)
The Great Pottery Throw Down - (Jan 26th)
Mystery Music Show- King of Mask Singer - (Jan 26th)
Perfect Match - (Jan 26th)
The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.