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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
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The ReidOut with Joy Reid - (Jan 18th)
When I think about why I love Italian horror films so much, particularly those from the 60's to 80's, and wonder why the Italians are so good at making them, it dawns on me that it's because they tend to be so passionate and uninhibited in all of their unbridled emotions, and that it's always a very thin, perforated line between love and hate, good and evil, which makes their actions so uncontrollable and their behaviour so decidedly unpredictable. Take it from me and my personal relationship experiences, Italians really know how to express themselves. The sex is always outstanding, but you always have to go through and endure your share of blood, sweat and tears (as The Smithereens once famously sang, 'I get the blues before and after loving you.') In terms of great horror protagonists, Paul Naschy has always been both the saving grace and missing link, the great Spanish hope. Lord Almighty, he always seemed a direct cross between a 60's Marlon Brando (when he was starting to get disillusioned and pudgy because no one could come up with ideas or roles worthy of his monumental talents) and John Belushi. He always possessed this tortured mythos, channeling the very best of Boris Karloff and Lon Chaney Jr. Yes, he was a monster, but he couldn't help himself, and his nasty habits went against the very fiber of his being. No matter how bad the material (which he usually wrote, under an alias), he was always fervently watchable. Tangentially, Jean-Luc Godard once said that Roger Vadim was 'with it'. The literal translation: He makes bad films, but he knows what people wants to see. 'The Fury of the Wolfman' is like that. Director Zabalza knows his audience inside and out. EVERY SINGLE female character, without exception, is drop-dead gorgeous, not to mention scantily clad at every possible moment. There are whips, chains, bondage--every type of scenario a full-blooded person, even remotely intrigued in sexuality, would be head-over-heels over. The plot is meaningless and deserves to be. It's never the point. All the filmmakers are looking for is 90 minutes of cinematic fun and excitement that people will want to peruse, and you get that here, and are left completely satisfied. As The Kinks famously said, 'Give the People What They Want!'
After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
While Sompon leads his group through a forest searching for treasures, they are attacked by ghosts and Sompon is transformed into a werewolf.
A commando jungle action movie takes a weird turn toward the end when one of the soldiers miraculously transforms into an ass-kicking werewolf. Footage from this later ended up in the Filmark movie "Mad Move."
A band of soldiers is dispatched to war games deep in the woods. When they stumble across a rival team slaughtered in camp, they realize they're not alone.
Life long friends Wess, Cooper and Theo head out for their annual camping trip. As things seem to be going as planned they're confronted with the realization of their age, life changes and worst of all - the Wexford werewolf.
Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.
It's not unusual for alcoholic cop Lou to black out and wake up in unfamiliar surroundings, but lately things have taken a turn for the strange...and hairy. WolfCop is the story of one cop's quest to become a better man. One transformation at a time.
The small city of Tarker's Mill is startled by a series of sadistic murders. The population fears that this is the work of a maniac. During a search a mysterious, hairy creature is observed. This strange appearance is noticed once a month. People lock themselves up at night, but there's one boy who's still outside, he's preparing the barbecue.
When Dr Frankenstein decides to retire from the monster-making business, he calls an international roster of monsters to a creepy convention to elect his successor. Everyone is there including Dracula, The Werewolf, The Creature, Dr Jekyll & Mr Hyde and many more. But Frankenstein's title is not all that is at stake. The famous doctor has also discovered the secret of total destruction that must not fall into the wrong hands!
A man is attacked by a werewolf and tries to save his town from the monster he transforms into.