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Uxoricide! I Saw What You Did is directed by William Castle and written by William P. McGivern. It stars John Ireland, Joan Crawford, Leif Erickson, Andi Garrett, Sara Lane and Sharyl Locke. Music is by Van Alexander (Joseph Gershenson supervising) and cinematography by Joseph F. Biroc. When two teenagers on babysitting duties decide to have fun making prank phone calls, their evening turns sinister when they call up a man who has just murdered his wife… William Castle was of course better known for his gimmicks than for his ability as a film maker, I Saw What You Did shows the best and worst of the great entertainer. Castle produces and directs this one so is accountable for getting the mix completely wrong. At times the picture is genuinely suspenseful, the premise at the core superb, but at others it feels like it wants to be a comedy, further compounded by Alexander’s awful musical score. It’s a score that belongs in something like Bewitched or The Munsters, and quite often takes you out of the thriller zone. Castle unsurprisingly borrows off of some films that influenced his career, but aided by McGivern’s screenplay he manages to put some different spins on the twisty plot developments. It also helps having Biroc (The Killer that Stalked New York/Cry Danger/The Garment Jungle) on photography duty, he’s able to make Castle’s fog scenes appear icy cold, to blend the shadows into the story like foreboding prowlers. Cast wise the elder cast members aren’t stretching themselves here, with Crawford working for food and Ireland on auto-pilot, but the younger actors are great fun and really nail that naivety of youth thing to the max. All told it’s a fun film, if not always for the right reasons. With some Castle invention (eyelet vision?!) and steals – and Biroc on form, there’s more than enough here to compensate for the confusing mix of genres. 6/10
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
An ex-tennis pro carries out a plot to have his wealthy wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.