Bikini Drive-In

Dexter and Royce, two stoner friends in Weedsville, scramble to cover up the apparent overdose of Royce's girlfriend, Mattie, by trying to bury her at a closed drive-in theater. Their plan goes sideways when they stumble into a Satanic cult mid-ritual, and Mattie unexpectedly comes back to life. Now pursued by the cult, they also face threats from local drug dealer Omar, demanding payment for a botched drug deal. In a desperate bid to settle their debt, Dexter and Royce steal a safe from a wealthy coma patient while evading the cult and Omar’s enforcers. The chaos culminates at a New Age center, where Mattie is nearly sacrificed, but the trio manages to escape after an explosive showdown that leaves both the cult and Omar neutralized. With their debt cleared and Mattie alive, Dexter and Royce flee the scene, barely escaping the insanity.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was a Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.

A collection of Drive In Movie Intermission ads from the 1950's - 1960's.

Two lifelong buddies must unravel the circumstances that led to a corpse in their bathtub in the wake of a Halloween party.

The goings-on at a typical drive-in on a summer night.

A young woman passes an emotional night in the city.

A video documentary/road trip that celebrates the drive-in movie theater's impact on the United States, and pays homage to the people who keep the few remaining ones fully operational. Features interviews with horror movie maker John Carpenter, movie critic John I. Bloom (aka "Joe Bob Briggs"), Michael Wallis, author of "Route 66: The Mother Road," and others.

In Thorold, Ontario in the summer of 1996, a movie legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?