A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Aki Kaurismaki’s La Vie de Bohème is the Finnish auteur's loose adaptation of Henri Murger's classic 19th-century collection of short stories, set in contemporary Paris with an eclectic cast of French and Finnish actors, all speaking French. As the film opens, the penniless aspiring writer Marcel (André Wilms) is being evicted from his apartment. Though a series of amusing events, he falls in with the equally aspiring and penniless painter Rodolfo (Matti Pellonpää) and composer Schaunard (Kari Väänänen). The film then tracks their comical struggles to make money, gain lasting fame, or charm women in spite of their lack of a stable existence (Evelyne Didi plays a major supporting role as Rodolfo's girlfriend Mimi). Though the three men are perennially underdogs, their firm friendship and readiness to share what little they have makes the film a heartwarming experience. The poorly spoken French of the foreign actors, as well as the mismatch between the ostensibly 1992 setting and the decaying interiors, must have seemed bizarre for viewers who didn't know Kaurismäki before. However, it is quite of a piece with this director's prior work. Kaurismäki had made a number of films in his native Helsinki that are ostensibly set in the present day, but feature ramshackle tenements, working-class struggles, and antique appliances that are all right out of the 1950s. At some point, a band will appear on a stage playing high-energy rock music from a bygone age. In LA VIE DE BOHEME, Kaurismäki has reused the exact same elements in a Parisian context. He managed to find decrepit places one would have never expected in the modern city, and in one scene a punk band perform even if it has little relevance to the overall plot. While Rodolfo and Schaunard are explained as Albanian and Irish immigrants, respectively, they are really bringing to this film a typically Finnish quality. One of the quirks of Kaurismäki's Finnish-language output is that the actors deliver their deadpan, almost robotic lines in the Finnish literary language, which is vastly different from the ordinary Finnish spoken language. Kaurismäki has managed to create a similar effect here by lifting dialogue from Murger's original book, as in 19th-century stories the actors often speak with elaborate constructions and literary flair that is completely unrealistic for the particular setting. Their's also an amusing opposition between the garrulous Marcel and -- remember, the character's Irish or Albanian back stories need not be taken seriously -- the silent, stony other characters, as the Finns are an infamously taciturn race. Still, Kaurismäki's applications of his perennial formula are usually very entertaining, and I never tire of his dark humourly vision. And even if most of the other elements are the same as always, La Vie de Bohème features an unexpected ending. Usually in Kaurismäki you can foresee the nice little ending that's going to come from a mile away, but here he takes the viewer by surprise. Cinema aficionados will enjoy the small roles of a sugar baron, played by legendary French New Wave actor Jean-Paul Léaud, and a publishing magnate, played by American director Samuel Fuller. (Viewers who don't know who Fuller is will think it odd that he exits the stage with some profanity spoken in English and a distinctive old-timey New York Jewish accent!) This might not be the best introduction to Kaurismäki -- the films making up the so-called Proletariat Trilogy might work better for that. Still, for me La Vie de Bohème was a funny and touching picture.
Akari finds herself nervous coaching a new undine as a Prima, until she awakens to find that it is just a dream. To soothe her worries, Alicia recalls stories of her beginnings as a Prima, as well as the memories she made.
A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.
New Year's Eve. A group of friends, all around 18 years old, get together for a party. Ties of love and friendship are formed and broken off. At the frontier between carelessness and seriousness, their true natures come to light.
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stand staying away from her.
A very gentle middle-aged man is married, but when he falls in love with another woman, he decides that to divorce his wife would humiliate her too much – so instead he decides to kill her.
Ben Campbell is a young, highly intelligent student at M.I.T. who strives to succeed. Wanting a scholarship to transfer to Harvard School of Medicine to become a doctor, Ben learns that he cannot afford the $300,000 tuition as he comes from a poor, working-class background. But one evening, Ben is introduced by his unorthodox math professor to a small but secretive club of five students, Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa to count cards at blackjack.
Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory - which could be just what they want.
Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.
The story of the first cloned human being - told in her own words: At the age of thirty the world-famous composer Iris Sellin learns that she has an incurable illness. She - a person who wanted to live for ever - does however not give in. In order to preserve her art and also herself, beyond death, for all posterity, she has herself cloned. Her daughter Siri, whom, in this way, she turns into her virtual twin, learns as a child that she is the world's first cloned human being. In fact a blueprint: a blueprint of her mother. From that moment on nothing is as it was before...