American Scream 2025 - Movies (Mar 11th)
Wolf Man 2025 - Movies (Mar 11th)
Suky 2025 - Movies (Mar 11th)
Heartbreakers Beach Party 2024 - Movies (Mar 11th)
Séance Games - Metaxu 2024 - Movies (Mar 11th)
Iliza Shlesinger A Different Animal 2025 - Movies (Mar 11th)
Anora 2024 - Movies (Mar 10th)
Moana 2 2024 - Movies (Mar 10th)
Shark Exorcist 2 Unholy Waters 2024 - Movies (Mar 10th)
Jacob Tyler 2024 - Movies (Mar 10th)
Faultline 2024 - Movies (Mar 10th)
Dirty Angels 2024 - Movies (Mar 10th)
DIG XX 2024 - Movies (Mar 10th)
Deathgrip 2 2024 - Movies (Mar 9th)
Mickey 17 2025 - Movies (Mar 9th)
The Reluctant Royal 2025 - Movies (Mar 9th)
Lumina 2024 - Movies (Mar 9th)
My Husband the Cyborg 2025 - Movies (Mar 9th)
Flow 2024 - Movies (Mar 8th)
In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
American Scream 2025 - ()
Wolf Man 2025 - ()
Suky 2025 - ()
Heartbreakers Beach Party 2024 - ()
Séance Games - Metaxu 2024 - ()
Iliza Shlesinger A Different Animal 2025 - ()
Anora 2024 - ()
Moana 2 2024 - ()
Shark Exorcist 2 Unholy Waters 2024 - ()
Jacob Tyler 2024 - ()
Faultline 2024 - ()
Dirty Angels 2024 - ()
DIG XX 2024 - ()
Deathgrip 2 2024 - ()
Mickey 17 2025 - ()
The Reluctant Royal 2025 - ()
Lumina 2024 - ()
My Husband the Cyborg 2025 - ()
Flow 2024 - ()
In the Summers 2024 - ()
A fascinating quest for proof of life after death - a true-life enigma that begins with one small, odd incident and mushrooms into a huge scientific inquiry into apparent messages from the 'Other Side.'
Zenith Virago is an activist and educator who for over 20 years has been returning the coastal region of Byron Bay, Australia to a more communal, celebratory, and creative engagement with death and dying.
An intimate look at Gypsy refugees in a Belgrade suburb who make a living by transforming Citroen´s classic 2cv and Dyana cars into Mad Max-like recycling vehicles, which they use to collect card-board, bottles and scrap metal. These modern horses are much more efficent than the cart-pushing competition, but even more important, they also mean freedom, hope and style for their crafty owners. Even the car batteries are used as power generators in order to get some light, watch TV and recharge mobiles ! Almost an alchemist´s dream come true ! But police doesn´t always find these strange vehicles funny... Pretty Dyana is a very funny documentary, but sad in a way... " If Mitic had focused only on the terrible misery these people live in, the film would have been unbearable. Instead, you never know whether you should cry after you laugh, or the other way around " Sara Hultmanm, Goteborg Film Festival
This one-of-a-kind comedy special showcases the comedian's riotous stand-up performance, exploring everything from the Disability experience to her Italian-Catholic upbringing to body image issues and more.
Based on real near-death experiences, the afterlife is explored with the guidance of New York Times bestselling authors, medical experts, scientists and survivors who shed a light on what awaits us.
An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.
A documentary about bizarre residents of Shutka, a Macedonian village built on the former city dump area. Shutka, where everyone is the champion of something. This film is a celebration of the culture, humor, spirit, oddities and idiosyncrasies of the Roma, one of the world's poorest and most persecuted peoples. Ultimately we are instructed in the celebration of life despite any and all circumstances - everyone is of value here.
The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.
Alberto Spadolini, filmmaker and choreographer, dances to traditional Andalusian music. He pays tribute to the gypsy culture.