A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
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Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
The Bad Shepherd 2024 - ()
The Bouncer 2024 - ()
Tuesdays Trash 2024 - ()
Emmas Big Adventure 2024 - ()
Balloonerism 2025 - ()
The Girl Who Cried Her Eyes Out 2024 - ()
Clear Cut 2024 - ()
You Gotta Believe 2024 - ()
Wolf Man 2025 - ()
My Divorce Party 2024 - ()
Back in Action 2025 - ()
Henry Danger The Movie 2025 - ()
Alarum 2025 - ()
Ed Hill Stupid Ed 2024 - ()
Alien Rubicon 2024 - ()
Smile 2 2024 - ()
Gabriel Iglesias Legend of Fluffy 2025 - ()
The Substance 2024 - ()
Cradle Of Fear. A man by the name of Joseph Samuels is found brutally murdered in his apartment. It would appear that Samuels was visited by a group of drunken soldiers the previous evening, and with one of them seemingly missing, the evidence certainly implicates the missing soldier. But as detective Finlay digs deeper into the case he finds that they could be barking up the wrong tree, and that this crime is dealing with something desperately sad and vile - anti-Semitism. Crossfire was born out of the novel written by Richard Brooks, adapted by John Paxton and directed by the shrewdly excellent Edward Dmtryk. Crossfire (originaly titled "Cradle Of Fear") is a taut and gripping picture that boldly tackles anti-Semitism. Though the makers were forced to tone down the story from the original source, the novel is about homosexual hatred as opposed to anti-Semitism, what remains, largely due to RKO supremo Dore Schary and producer Adrian Scott, is a sort of creeping unease that drips with noirish style. The cast features three Bob's, Young, Mitchum and Ryan, with noir darling Gloria Grahame adding the emotional female heart. Though only third billed, it's Robert Ryan's picture all the way, his portrayal as the bullying, conniving Montgomery is right from the top draw and perfectly showcases the talent that he had in abundance. Ryan had good cause to give Montgomery some of is best work for he had served in the Marine's with Richard Brooks himself, both men having discussed the possibility that if the novel was to be made into a film, then Ryan wanted in and to play Montgomery. Thus the genesis of Ryan's career as weasel types was well and truly born! Gloria Grahame also puts in a wonderful and heartfelt turn, which is all the more remarkable since she was being plagued by her abusive husband at the time, one Stanley Clements. He was known to be violent towards her and his constant presence around the set irked other members of the cast, but Grahame, probably channelling real life emotion, became the character of Ginny and shone very bright indeed. Both Bob Mitchum and Bob Young come out with flying colours as well, to really seal the deal on what proves to be a smartly acted picture. Crossfire was released before the other 1947 anti-Semitic picture, "Gentleman's Agreement", and raking in over a million and a quarter dollars at the box office, some of its thunder was stolen by the Academy Award winning picture from Fox Studio. Nominated for Best Picture, Best Supporting Actor (Ryan), Best Supporting Actress (Grahame), Best Director and Best Screenplay, it won nothing. Yet critics of the time hailed it as a brilliant shift in American Cinema, and today it stands tall, proud and dark as a bold and excellent piece of work. 8.5/10
When a man is found savagely beaten to death, it falls to local police captain "Finlay" (Robert Young) to track down the perpetrators. His attention is soon drawn to a group of recently demobbed soldiers who had had drinks with the deceased and his girlfriend (Marlo Dwyer) earlier that evening. Meantime, conscious that his friends are in the police line of sight,"Kelley" (Robert Mitchum) also decides to do a bit of detective work - hoping to clear his colleagues, identify the killer and hopefully establish a motive too. It's a quickly paced, quite intricate thriller this. Both Young and Mitchum are effective, as are Robert Ryan's manipulative "Monty" and George Cooper's rather dubious looking "Mitch". There are plenty of undercurrents within the plot to keep it interesting - not least homosexuality and anti-Semitism, both hot topics for the "Code" at the time, and although it is maybe just a bit too wordy, it is still a remarkably potent mystery that rather courageously attempts to tackle taboos as well as the more routine human frailties. A classy contribution from a slightly underused Gloria Grahame and some gritty and dark photography help too. This is a good, tautly directed film that holds the interest well.
Logan Burnhardt is the ego-king of the airwaves, but his unflappable persona is put to the test when a terrorist bio-attack unleashes a plague of flesh-ripping maniacs on Los Angeles.
A classic noir murder mystery based on the same name detective book by Bogomil Raynov
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson, take on the violent Nick.
Warren Quimby manages a drugstore while trying to keep his volatile wife, Claire, happy. However, when Claire leaves him for a liquor store salesman, Warren can no longer bear it. He decides to assume a new identity in order to murder his wife's lover without leaving a trace. Along the way, his plans are complicated by an attractive neighbor, as well as a shocking discovery that opens up a new world of doubts and accusations.
Jenny Marsh, recently released from prison for killing a man, finds herself under the watchful eye of her parole officer, Griff Marat, who helps her secure a job caring for his ailing mother.
In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.
There are terrible things happening in the desert...unexplainable, frightening things. Tragic, inexplicable incidents… ever since she arrived.
It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.
This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.
A security leak is found at a Southern California atomic plant. The authorities stand in fear that the information leaked would go to a hostile nation. To investigate the case more efficiently, Dan O'Hara, an FBI agent, and Philip Grayson, a Scotland Yard sleuth, join forces. Will they manage to stop the spy ring from achieving their aim?