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What I create. I can destroy. Night Key is directed by Lloyd Corrigan and adapted to screenplay by Jack Moffitt & Tristam Tupper from a story by William A. Pierce. It stars Boris Karloff, Jean Rogers, Warren Hull and Samuel S. Hinds. Music is by Louis Forbes and cinematography by George Robinson. Plot sees Karloff as aging inventor David Mallory, who once again finds himself cheated by security business boss Stephen Ranger (Hinds). With his eyesight failing and a daughter (Rogers) he wants to set up before he passes on, Mallory decides to teach the scheming Ranger a lesson. However, the criminal element headed by The Kid (Alan Baxter) have designs on using Mallory and his "Night Key" device for their own ill gotten gains. Well Louis! We are in. Out of Universal Pictures, Night Key was knocked out in under a month and budgeted, unsurprisingly, on the cheap. Yet the film belies these matters to be a good old fashioned yarn for entertainment. Melodrama mixes with a touch of sci-fi as the story unfolds as an interesting character piece, the veins of which are mostly pumped by an honest versus dishonest theme. Within there's a burgeoning romance etched in to the narrative, but this is handled well by the director as it aids the flow and reason of plotting, while the odd bit of action here and there stops the film from being too staid. The effects from John P. Fulton, too, are good fun and leave a favourable mark late in the story. Picture gets most of its strength from Karloff's performance. An undervalued talent at the best of times, Night Key gives viewers the chance to see just what he could do away from the horror iconography that defined his career. Here as the sombre and fragile David Mallory, Karloff isn't just looking the part because of make-up, he is able to match his body to the aged state of the character, simultaneously garnering great empathy from the viewers. It's a character, courtesy of performance, that firmly has us rooting for against the baddies. Around Karloff are effective turns from Rogers (bright), Hinds (weasel like), Hobart Cavanaugh (fun as the comedy side-kick, Petty Louis) and Ward Bond, who as henchman thug is an imposing presence. It's all very daft and goes where we expect, and want, it to go, but with Karloff leading the way this is a comfortably recommended time filler. 7/10
Fun if not ultimately forgettable 1930s crime thriller that is certainly one of Karloff's lesser movies, however it's watchable enough, I suppose. **3.0/5**
Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
It's 1983, and hopeless junkie Dick gets an unwelcome visit from the past - his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.
In 1970s London, Scotland Yard orchestrates the downfall of mob boss Vic Dakin after he crosses the line by blackmailing Members of Parliament.
Unable to pay his bookie, a man returns to his hometown where his embezzler brother and girlfriend plot a robbery that ends in tragedy.
The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.
Three underachieving students befriend Mitra from another class. They devise a plan to help her but it leads to various problems.
Prohibition is ending so bootlegger Bugs Ahearn decides to crack California society. He leases a house from down-on-her-luck Ruth and hires her as social secretary. He rescues Polly Cass from a horsefall and goes home to meet her dad who sells him some phony stock certificates. When he learns about this he sends to Chicago for mob help.
Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.
Takeoff on the Godfather with the son of a mafia king taking over for his dying father.
Upon learning that he has to come out of retirement to steal 50 cars in one night to save his brother Kip's life, former car thief Randall "Memphis" Raines enlists help from a few "boost happy" pals to accomplish a seemingly impossible feat. From countless car chases to relentless cops, the high-octane excitement builds as Randall swerves around more than a few roadblocks to keep Kip alive.
