Blow-Ups of 1947

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Prep and Landing: On Christmas Eve, a high-tech team of elves from an elite unit known as "Prep & Landing" ensures homes around the world are prepared for Santa's visit. But when two hilarious little elves face unexpected challenges and are pushed to their limits, it'll take a great big effort to save the season. Prep and Landing: Naughty vs. Nice: The outrageous yuletide adventures of Christmas elves Lanny and Wayne continue in this totally tinsel adventure that reminds us there's room for everyone on the 'nice' list. Santa's stealthiest little elves must race to recover classified North Pole technology, which has fallen into the hands of a computer-hacking naughty kid, in an effort to stop Christmas from descending into chaos.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Silent cartoon.

After Saddam Hussein had the Kuwait Oil wells lit up, teams from all over the world fought those fires for months. They had to save the oil resources, as well as reduce air pollution. The different teams developed different techniques of extinguishing the fires. Man's emergency creativity can be seen at it's best.

Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.

A ragtag group of students try to steal from the faculty room as they save both their grades and friendship.

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Joe McDoakes attempts to deal with his myriad neuroses.