War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
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Kaaki Sattai seems to have only one purpose — to turn a wisecracking star into a punch dialogue spouting superhero. Like Maan Karate, it wants to be a platform for its leading man Sivakarthikeyan, one that catapults him into the enviable league of 'mass' heroes. And, Durai Senthilkumar has chosen the best way to make this happen by taking up a cop story (we even get a carefully edited intro scene where we don't see the hero's face until we have seen his feet). The film even acknowledges this by referencing Alex Pandian and Duraisingam, two of the most intrepid movie cop characters, while the movie's title is that of an earlier Kamal Haasan film. But Sivakarthikeyan is not yet a bonafide action hero and so, the director makes his hero a cop (it is certainly not by accident that this character is named Mathimaran) who is a mix of wits and of course, wittiness. That is why the build-up heavy hero-introduction scene is finally revealed to be a dream sequence. Mathimaran is frustrated that his superiors (Prabhu in a cameo) aren't giving the job the respect it deserves, and are merely content to fulfill their superiors' orders. But, then he lands a crucial case involving organ trafficking. A group is exploiting immigrant labourers and murdering them for their organs but with the commissioner a chum of Durai ( Vijay Raaz), the brain behind the whole operation, Mathimaran has to rely on his wits to put a stop to Durai's illegal activity. Only earlier this month, we had another cop film, Yennai Arindhaal, that dealt with the subject of organ trafficking. It is a serious subject but given that Sivakarthikeyan is the hero here, the treatment is lighter in Kaaki Sattai. And that is the problem with the film. The film keeps alternating between the serious and the light tones. And, it is hard to take a cop seriously when he has to depend on Mano Bala and his brand of humour to crack his case. The cliched situations don't help either. The heroine ( Sridivya, who is getting stereotyped) is in serious danger and the hero arrives out of the blue to save her. The hero gets a call and steps out of a vehicle and the next instant it gets blown. The doctor involved in the crime confesses everything only to reveal that he has taken poison. The romantic track is generic. Mathimaran helps the heroine's family and starts wooing her until she agrees, which acts as a cue for yet another increasingly repetitive Anirudh song. Even the issue of a cop falling in love with a girl, whose mother doesn't want to marry her daughter off to someone in khakhi, is brushed off lightly despite the initial build-up. At one point in the film, we are shown that the villain uses a mathematical formula in his operation. It is only in the end, we realize that it is not just the villain but the film's director as well who has succumbed to formula.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
When a naive policeman falls in love with a prostitute, he doesn’t want her seeing other men and creates an alter ego who’s to be her only customer.
When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
Unexpectedly widowed, prim and proper housewife Grace Trevethyn finds herself in dire financial straits when she inherits massive debts her late husband had been accruing for years. Faced with losing her house, she decides to use her talent for horticulture and hatches a plan to grow potent marijuana which can be sold at an astronomical price, thus solving her financial crisis.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."
An attack takes place on Rainbow Bridge in Odaiba, Tokyo by the fighter helicopter `Gray Ghost`. 2 days earlier, the Gray Ghost was stolen. The perpetrators are followers of Yukihito Tsuge. Yukihito Tsuge planned a coup of Tokyo 13 years earlier. The leader of Special Vehicle Section 2, Keiji Gotoda, sets out to stop the terrorists.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.
Buttoned-down veteran LAPD detective Roger Murtaugh is partnered with unhinged cop Martin Riggs, who — distraught after his wife's death — has a death wish and takes unnecessary risks with criminals at every turn. The odd couple embark on their first homicide investigation as partners, involving a young woman known to Murtaugh with ties to a drug and prostitution ring.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.