War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
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Bette Davis always did know how to play the spoilt little rich girl character well, and my but she does it with aplomb here. She is "Judy", a young woman full of a privileged joie-de-vivre who starts to suffer from headaches and dizzy spells. Her family doctor recommends the specialist "Dr. Steele" (George Brent) who tells her that she has a brain tumour. An operation ensues, she is ostensibly cured and gradually she and "Steele" fall in love. The thing is, though, that her best friend "Ann" (Geraldine Fitzgerald) and her beau know that her prognosis isn't actually that hot - news that rocks the woman to the core when she finds out. A memorable scene around a dinner table demonstrates that skilfully and forcefully! It's hardly a surprise that "Judy" now goes off the rails a bit - plenty of booze and gentlemen friends to distract her from the inevitable, but maybe her friends can rally around and remind her that there might be a better way to live what's left of her life? This is a characterful drama loaded with emotion and chemistry between an on-form Davis and the understated but effective Brent. The writing provides for some strong dialogue and Edmund Goulding creates a working template for both actors to own the film from start to finish. It's not often you can say that Humphrey Bogart made little impact on a film, but here he is very much the oil to their wheels - and his enamoured "Michael" character is played well too. Max Steiner is at his most dramatic with the score and all-in-all this is a compellingly put together story well worth a watch.
Three 40-something women in a small English town meet weekly for a ritual of gin, cigarettes, and sweets - and swapped stories arguing which of them has the most pathetic love life. Kate is headmistress at the local school; her best friends are the town's police chief and a cynical, thrice-divorced doctor.
A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.
Sexual passion breeds violence in the Thomas Middleton and William Rowley written tale of a beautiful woman who falls in love with a sea-captain. Filmed with lush production values and at a leisurely, very British pace, Helen Mirren is riveting as Beatrice-Joanna, a young lass already torn by love and commitment.Beatrice-Joanna (Helen Mirren) is betrothed to Lord Alonzo de Piraquo (Malcolm Reynolds) but is in love with Alsemero (Brian Cox). She hires her father's manservant, De Flores (Stanley Baker), to kill Alonzo but after he has done so, she realises De Flores wants her as a reward.The Changeling was an instalment of the BBC's Play of the Month series and is a production for television of a 1622 Jacobean tragedy of the same name, written by Thomas Middleton and William Rowley.
A look at the relationship between a young blind samurai and his wife, who will make a sacrifice in order to defend her husband's honor.
The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.
A group of people in a small, isolated desert town through a series of strange events, begin to come to terms with growing older.
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
The strong bond between two brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
Isa and Marie bond while working in a French sweatshop and soon begin sharing an apartment that Marie is watching for a hospitalized mother and daughter. Marie, hoping to avoid a life of struggle and poverty, takes up with Chriss, a nightclub owner whose most attractive asset is his money. Isa recognizes the ultimate futility of the relationship and tries to keep Marie away from him, but her interference puts their friendship at risk.