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***Where the 90’s band Acid Bath got their name*** Eight American high school graduates return to their now-defunct school for a 5-year reunion celebration. Unfortunately for them the nerd they picked on and inadvertently ruined is also there with fatal revenge in mind. The dilapidated school building that “Slaughter High” (1986) is mostly set recalls “Death Tunnel” (2005), but “Slaughter High” is subpar by comparison; it lacks the professionalism and aesthetics of that later film. Whether you like “Death Tunnel” or not is a different story, but it IS professionally made with awesome visuals, state-of-the-art editing, a superlative female cast and excellent score/soundtrack. So “Slaughter High” is a decidedly Grade B 80’s slasher in production values; and arguably Grade C. It’s marred by a dated score and a little camp, particularly the nerd, but is otherwise decent for what it is. Everyone involved knew it wasn’t a top-of-the-line production, but gave it their best to entertain the audience. The ending features an original twist that is done much better a year later in “Slumber Party Massacre II.” The beautiful Caroline Munro was a little long in the tooth at 36 (during shooting) to play a high school senior and early 20’s B-movie actress by the second act, but her attractive vibrancy pulls it off. Nevertheless, her heyday was the 70s and her star was falling at this point, which didn’t seem to bother her a bit. Kelly Baker is worth mentioning as Nancy while Carmine Iannaccone is charismatic as Skip. Simon Scudamore, the actor who plays the nerd unfortunately committed suicide after the completion of the movie on November 21, 1984, an apparently intentional drug overdose. The film runs 1 hour, 30 minutes; it was shot in England as follows: St. Marylebone Grammar School, London (interiors of school); Holloway Sanatorium, Surrey (exteriors of school); London (interior and exterior of apartment); and Wentworth Golf Club, Surrey (the road where the car breaks down). GRADE: C
A tourist witnesses a murder and finds herself caught up in a series of bloody killings.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
Several murders have taken place in London. All the victims are prostitutes and the murderer is using the same techniques as Jack the Ripper. Peter Dockerman, an ex-acrobat and husband of one of the victims is the prime suspect. But whoever the killer is has cannibalistic tendencies and if Scotland Yard doesn't solve the murders quickly the evidence just might be eaten!
A hunchback working in a morgue falls in love with a sick woman. He goes berserk when she dies and seeks help from a scientist to bring her back from the dead.
After Lord Archibald Marion is brutally murdered by an unknown assailant, his bitter and feuding family members gather for a reading of the will, setting into motion an increasingly chilling series of deaths when their arrival is marked by a second grisly killing.
The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
Kitty Carroll, an attractive store model, volunteers to become a test subject for a machine that will make her invisible so that she can use her invisibility to exact revenge on her ex-boss.
A fugitive, dangerous madman reaches an English village where he confronts his former partner who left him for dead in the jungle after their discovery of a diamond mine. When the former partner also claims to have since lost the mine and all its wealth, which he took all for himself, and though the partmer is still living in a state of luxury , the madman takes up an offer from a crazed scientist to make him invisible, something the scientist has already done with experimental animals, so that he can take revenge.
A mute woman, traumatized by her parents' death, faces new horrors when her cousin is murdered by a suspected killer. As danger looms, the truth proves far more complex.
A Shakespearean actor takes poetic revenge on the critics who denied him recognition.
