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A young woman moves to Berlin to work as a press photographer.

An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.

Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.

From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

The university student Bobchev joins a youth brigade. The commander's council entrust Bobchev with a literacy course for members of the brigade. Velizarov and Monkata arrive in the camp to carry out sabotage. They place explosives on the dam, and attempt to win Bobchev over by means of intrigue. There is a storm: the camp is put on the alert. Everyone joins the rescue work at the dam. After a long struggle with Velizarov, Bobchev cuts the burning fuse of the explosive. The dam does not yield to the pressure of the flood. Everymen sing in Jubilation.

The film is dedicated to the uprising, which broke out in Bulgaria in September 1923. All characters, with the exception of the leaders of the uprising Georgi Dimitrov and Vasil Kolarov, are symbolic characters. The central figures, Stefan and Peter, impersonate the motive forces behind the uprising - the workers and the peasants. They are involved in worker's strikes, in the stormy events of the First World War and the Soldier's uprising in 1918. They also participate in the bloody clashes of the September uprising and suffer its defeat after they have seen too late the need for concerted action by communists and agrarians.

The action takes place in the last years of the Second World War, immediately before the socialist revolution in Bulgaria. It centers on the life of the middle-class family of Lazarov, which is torn by the sharp political contradictions taking place against the background of the popular struggle against fascism. The father Vitan goes through terrible mental traumas, which are the price, he has to pay for his illusions that in such clashes one can remain neutral and free from politics. The partisans execute the son Boris - a fascist officer, a sadist and a murderer. The daughter Lily is forced to search for her place in the conflict between the representatives of two hostile worlds - that of fascist brother and her husband - a communist and a revolutionary.

Constantinople, 1883. During an outing to the Black Island Edith, the adopted daughter of the French ambassador, is saved by Kalin the Eagle. She learns that he is a Bulgarian revolutionary from the April Uprising of 1876. With her help Kalin the Eagle escapes and returns to the liberated Bulgaria, where he is drawn to the socialist movement. Edith finds out that Kalin is in fact her father, and sets out in search of him. Kalin the Eagle is notable as the first movie made by the nationalized film industry after World War II in the newly formed People's Republic of Bulgaria.

When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.