Deal or No Deal - (Feb 11th)
Independent Lens - (Feb 11th)
A Terrified Teacher at Ghoul School - (Feb 11th)
Piers Morgan Uncensored - (Feb 11th)
Betting on Paradise - (Feb 11th)
Chris Jansing Reports - (Feb 11th)
Historys Most Shocking - (Feb 11th)
Historys Greatest Mysteries - (Feb 11th)
Perfect Match - (Feb 11th)
Family Feud Canada - (Feb 11th)
Son of a Critch - (Feb 11th)
Fist of the North Star - (Feb 11th)
Robson Greens Weekend Escapes - (Feb 11th)
Watch What Happens Live with Andy Cohen - (Feb 11th)
The Chase - (Feb 11th)
The Chase Australia - (Feb 11th)
Storyville - (Feb 11th)
The Bachelor - (Feb 11th)
The Voice - (Feb 11th)
Tribunal Justice - (Feb 11th)
Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
Robert Mapplethorpe gets his nipple pierced while his boyfriend lends his support in person. Patti Smith lends her support via voice over as she rambles on about her childhood, her transvestite brother, her breasts and Bob Dylan?
Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship.
Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.
Documentary about the ten days the director spent in Moscow, during the 1986 Moscow Youth Festival, as kind of a gay delegate.